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MojoIn short, this is exceptionally good contemporary pop. [Jun 2009, p.109]
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Miraculously, the whole thing hangs together perfectly, each song complementing the last and what should be a mess of disparate influences, becomes a cohesive whole.
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So who cares if Esser is clearly a product of his environment, right down to the post-Millennial Morrisey pompadour. Put him in line with several decades of British music that will always satisfy the NME reader within.