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A Complicated Woman Image
Metascore
72

Generally favorable reviews - based on 14 Critic Reviews What's this?

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  • Summary: The third full length solo release from Slow Club's Rebecca Taylor under the name Self Esteem features guest appearances by Moonchild Sanelly, Nadine Shah and Sue Tompkins.
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Score distribution:
  1. Positive: 9 out of 14
  2. Negative: 0 out of 14
  1. Apr 23, 2025
    100
    Taylor’s rapturous explorations of womanhood are torn through the mundanity of growing older, the depressive nature of Groundhog Day-normality and the catharsis of splitting even further as age makes concrete her contradictions. Across this - her most concentrated and burning record - Taylor’s hardened Sheffield-isms float through the tearjerker soul of a thousand women.
  2. Apr 23, 2025
    100
    Rebecca Lucy Taylor's third album as Self Esteem sharpens what’s always been at the core of her musical identity: the tension between frank vulnerability and pop maximalism.
  3. Apr 23, 2025
    100
    The third Self Esteem album that takes the best parts of Prioritise Pleasure and her debut Compliments Please, and turns it all up to 10.
  4. Uncut
    Apr 23, 2025
    70
    A predominantly female choir features throughout, boosting Taylor's crises of confidence on "Focus Is Power" and "What Now" into communal rallying cries. But there is fun here too. [May 2025, p.39]
  5. 70
    The album as a whole is a safer affair than Taylor’s previous releases, but for the most part it’s very good, and its cohesion isn’t necessarily a weakness. Still, it’s hard not to approach a new Self Esteem album expecting some kind of life-changing revelation, six months of therapy condensed into an hour-long speedrun.
  6. 60
    At times the whole jazz-hands-emoted, Original Cast Recording! vibe can grate; the stageyness undercutting the intimacy of Taylor’s sharp, literate lyrics. At others, the evident effort of performance plays winkingly well into the choreography of her self-dramatising self-analysis.
  7. Apr 29, 2025
    48
    A Complicated Woman’s wide-reaching, mollifying remit feels like Taylor trying to be too much to too many people, to live up to the validation that her last album occasioned. Its best moments are the most personal.

See all 14 Critic Reviews