- Critic score
- Publication
- By date
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[An] impressively diverse album.
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While not a completely lovable effort, "1968" extends Pajo's varied lineage.
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It’s a cohesive, well-produced, well-written set of songs that coheres as an album.
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MagnetLargely thanks to more robust production and instrumentation than was afforded last year's Pajo, 1968 proves that it isn't so much what you say, but how sweet you can make it sound. [#73, p.103]
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MojoAs ever, easy melodies pour from him. [Oct 2006, p.104]
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With its emphasis on traditional craft and instrumentation instead of brooding experimentation, 1968 finds Pajo fully inhabiting the rootsy folk-rock he's been warily circling for years.
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While not quite aspiring to the lofty benchmark of 'Whatever, Mortal', this recovers the lost ground of 'Pajo'.
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With 1968, Pajo... may have finally found a style he feels comfortable putting his name on.
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A bit too predictable and lightweight.
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UncutHas the feel of an artist whose rougher edges have long since been washed away. [Oct 2006, p.119]
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UrbIt rocks, sometimes wallows and wanders off, but still comes back to a lo-fi sound that's contagious and consistent. [Sep 2006, p.136]