Twice in a Lifetime
1985VOTE NOW
| Bud Yorkin Productions | Release Date: November 8, 1985 |
Starring:
Ally Sheedy, Amy Madigan, Ann-Margret, Brian Dennehy, Chris Parker, Darrell Larson, Ellen Burstyn, Gene Hackman, Rachel Street, Stephen Lang
Summary:
A middle-aged steelworker is content with his job and his family, but feels that something is missing in his life. On his 50th birthday, he stops in at a local bar for a drink to celebrate. He finds himself attracted to the very sexy barmaid and, to his surprise, he finds that she is also very attracted to him.
An unusually perceptive look at subjects seldom explored in American film—the emotional lives of working-class extended families and middle-aged sexuality—Twice In A Lifetime is especially poignant when documenting the collateral damage the central affair causes to Hackman's wife (a touching Ellen Burstyn) and bitter adult daughter (Amy Madigan).
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Hackman is perfectly cast as Harry Mackenzie, dismayed by the grief he has caused, yet determined to renew his life. Amy Madigan is brilliant, pouring out her sorrow in venemous outbursts. Ally Sheedy is the best new actress in town, as proven in a profoundly moving pre-wedding scene with Hackman. [11 Nov 1995]
The movie does not have a conventional happy ending. Life will go on, and people will strive, and new routines will replace old ones. The movie has no villains and few heroes. But it has given us several remarkable scenes, especially two confrontations between Madigan and Hackman, one in a bar, the other at a wedding rehearsal, in which the movie shows how much children expect from their parents, and how little the parents often have to give.
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The performances are appealing, but Bud Yorkin of "All in the Family" directs as if everyone were going to get bored and run out for popcorn at the next commercial break. [24 Jan 1986, p.23]
While there is an admirable depiction of 'real' people at work or settling down for the big match with a six-pack, the material is still no more than the great middle class drama of adultery, worked out with its very familiar rows and guilts. The acting, however, is a fascinating primer in just who can handle the medium. Burstyn and Madigan come out as if born to the art.
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Amateurish, emotionally fraudulent. [28 Jan 1986, p.C4]
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