Transformers: The Last Knight

4

CheetahiceJul 20, 2017

I was somewhat disappointed in this new installment of Transformers. All of the trailers made it seem like it was going to be action and nothing else, but however sixty percent of the movie is only people talking about saving the world andI was somewhat disappointed in this new installment of Transformers. All of the trailers made it seem like it was going to be action and nothing else, but however sixty percent of the movie is only people talking about saving the world and not going out and doing it. The movie would have been a lot more enjoyable if it were 1 hour and 20 minutes instead of the unpleasant 2 hours and 28 minutes. I found it painful that they were introducing 10 more characters per film. There were times I thought of walking out of the theater, only six words can describe this film, a frying pan to the mind.… Expand

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1

Tiber5Aug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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4

Creeper3455Jun 23, 2017

With Paramount trying SO HARD to have a good year with movies that looked dumb (with the exception of GitS), we were destined to have another (probably cash-grabby) Transformers movie after the whole nonsensical boredom that was Age OfWith Paramount trying SO HARD to have a good year with movies that looked dumb (with the exception of GitS), we were destined to have another (probably cash-grabby) Transformers movie after the whole nonsensical boredom that was Age Of Extinction. And yes,this is what you'd expect from another Transformers movie: an awesome production that falls into this lazy story that cares more on the action than setting up the story. As i mentioned,the production is awesome. The visual effects were well-made,but the sound effects were kind of decent,since at some point i was starting to have a headache. One thing that was certainly annoying was the change of Aspect Ratio,because,like every poster (and the trailers) said,it's filmed with IMAX 3D cameras,and i thought the aspect would change during an action scene (and it does),not that it would change every single second. The acting was okay,but some things were unnecessary,like those initial 10 minutes of exposition from Anthony Hopkins. The story may be dumb,but the 3rd act,with all those magnificent action scenes,was fun. In the end,last times may be perfect (this is M.Bay's last Transformers movie),but this one certainly does not. An 'A+' cast,the 3rd act and the awesome visual effects are not enough to save Transformers The Last Knight from being a GIANT mess. Still better than Revenge Of The Fallen and Age Of Extinction,though.… Expand

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1

ThisIsSparta666Aug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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1

PAMAAug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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1

Pama300Aug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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4

thedaywalkerJun 25, 2017

All I saw was a movie that was so fast paced that every character seemed to be in a rush, useless new characters and moments that tried to hard to be funny but just seemed stupid... Bumblebee and Optimus Prime fight was a good highlight, butAll I saw was a movie that was so fast paced that every character seemed to be in a rush, useless new characters and moments that tried to hard to be funny but just seemed stupid... Bumblebee and Optimus Prime fight was a good highlight, but overall, its a bad movie… Expand

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1

Creepers200Aug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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1

EndermanAug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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MinecraftFAug 8, 2017

It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well,It is part war movie, part historical epic, part romantic comedy, part slapstick comedy, part disaster movie, and one-hundred-percent disaster. Honestly, were we expecting anything else to criticize about Transformers: The Last Knight? Well, a lot more can be said.

The film opens 1,600 years ago in the dark ages of England, where King Arthur fights in a war along with his fellow knights, using fire cannons. No explanation comes up as to what started the battle, just what ended it. Basically, the wizard Merlin seeks out a spaceship to request help from the autobots. Yes, you read that right. Cybertron, along with a three-headed metal dragon, helped the knights of the round table triumph. I fail to understand why all these big movies suddenly decided to dump all over the Arthurian legend, but unlike the barely better King Arthur: Legend of the Sword, the disrespect goes further by victimizing London’s ancestry.

Yeah, I know, we have to suspend our disbelief with anything big released during the Summer, but there must be limitations. Anthony Hopkins’ narration wants us to believe Stonehenge’s original purpose was to be a portal, for crying out loud!

The early trailers wanted to press the popular “girl power” mentality, when, in actuality, The Last Knight, like the previous four installments, cares only about making girls look acceptable for a thirteen-year-old’s Sports Illustrated calendar. The series’ new forgettable sexy young woman works at Oxford University, because only in the Bay-Universe can combined beauty and brains still come off as dumb. Even the fifteen-year-old actress here has to run in a loose bra and low-cut white tank top. The men do not get much better treatment either, as Mark Wahlberg awkwardly poses shirtless, six-pack in all its glory, for no apparent reason.

The mercilessly long runtime continues Bay’s plague of insulting woman as well as anybody of color. The one Black guy, played by the only actor in the entire film who seems to be trying, reflects the old “coon” caricature almost to a tee; one of the returning Japanese warrior autobots continues mocking every Asian viewer; French accents are mocked for sounding unnatural; then Native Americans take the hardest beating as the sole red-skinned individual gets comically nicknamed “Chief.” Meanwhile, the true heroes in the spotlight gleam in pure red, white, and blue with the stripes and the stars.

These shallow indistinguishable characters sway the balance scale with enough frustration to make you hate the human race. The worst new addition, an Irish butler autobot; resembles C-3P0 with a mannerism reflecting the Annoying Orange, and receives way too much screen time. None of the other characters, old or new, goes through any sort of inner change from the war besides the underused Optimus Prime.

None of these lousy walking cardboard figures appeared serious about acting as a career—they just wanted to star in a major production guaranteed to make 2.1 billion dollars worldwide. Though the blame for their performance lands more on the purely expositional dialogue constantly interrupted by long, boring jokes. It almost seems like the team of six editors resorted to a rushed first draft of their process.

Each big action scene these editors had to work their way around felt like a climactic battle, which in turn made the final scene look pretty dang close to the infamous “light beam from the sky” climax. While the perfectly timed music and sound effects allow the right cinematic submersion you hoped for, Michael Bay forgets about all the Arthurian Legend fanfiction to give the visual effects crew a chance to show off (badly).

All this roleplaying subliminally wants regular people to think they are more qualified to save the world than the pentagon, yet the “regular people” here show fewer signs of human life than the high-tech artificial intelligence. How can we resonate with an extraterrestrial robot which can turn into a car owned by a billionaire? They seem less like complex souls with fears and dreams, and more like subliminal messaging to hate the government while living dependent on expensive materialistic needs to sustain our humanity.

Also, as a side note: When I went to purchase my ticket (on a Tuesday by the way) forty minutes beforehand, the house was already nearly sold out. So, we now know how our condition remains unchanged from sixty years ago: The United States is still holding itself back from the rest of the world.… Expand

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DominArsenDec 8, 2018

Transformers The Last Knight
Je n'avais pas été déçu par un Transformers autant que celui-ci..
De très joli effet spécial #indéniable On ne s'ennuie pas Mais une histoire nulle et incohérente. Un récit haché qui donne au film un arrière-goutTransformers The Last Knight
Je n'avais pas été déçu par un Transformers autant que celui-ci..
De très joli effet spécial #indéniable
On ne s'ennuie pas
Mais une histoire nulle et incohérente. Un récit haché qui donne au film un arrière-gout de "J'ai fait le film à l'arrache"
L'ouverture d'un univers cinématographique qui fait peur.
Des humains inutiles qui bloquent l'histoire à notre échelle "humaine" alors que l'on pourrait être à une échelle au-delà de ce que l'on connaît !
Ce qui me déçoit c'est que le film possède une limite visible qui soit la planète terre...
Une 3D utile, mais pas indispensable..
Des Sons fabuleux, mais les musiques sont oubliable
Une bonne soirée à condition de poser ton cerveau devant la salle… Expand

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5

neothinkerNov 27, 2017

If you've seen the other Transformers movies then you're probably a fan enough to watch this one. It's not as good as the last one or even the ones with Shia. At this point the series seems to have dragged on. That's not going to stop me fromIf you've seen the other Transformers movies then you're probably a fan enough to watch this one. It's not as good as the last one or even the ones with Shia. At this point the series seems to have dragged on. That's not going to stop me from going to the theater whenever a new one is released though.… Expand

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4

HPFANBOY1237Oct 2, 2017

Do not recommend, if it would have just found one thing and stuck with it this movie could at least be somewhat enjoyable. Thus, the problem with the movie, it has too many characters and too many things going on at one time. Even the actionDo not recommend, if it would have just found one thing and stuck with it this movie could at least be somewhat enjoyable. Thus, the problem with the movie, it has too many characters and too many things going on at one time. Even the action is hard to follow. I feel like the movie was either mediocre or awful at times. I do not recommend this.… Expand

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1

robertoiglesiasJan 13, 2018

Transformers: The Last Knight sucks and it follows the policy of a Transformers sequel:
1. It's a Michael Bay movie, so it obviously has explosions and sucks.
2. All Transformers sequel suck because they have horrible plot, characters, andTransformers: The Last Knight sucks and it follows the policy of a Transformers sequel:
1. It's a Michael Bay movie, so it obviously has explosions and sucks.
2. All Transformers sequel suck because they have horrible plot, characters, and adventure. THIS IS CRAP!… Expand

0 of 3 users found this helpful03

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3

MrNikitaTVJun 23, 2017

Трансформеры: Последний Рыцарь- красочный, но глупый фильм. В фильме плохой сюжет и непроработанные герои. Картинка как всегда на высоте, шуток стало побольше,но не которые были вставлены не к месту. Весь фильм меня бесил Мегатрон иТрансформеры: Последний Рыцарь- красочный, но глупый фильм. В фильме плохой сюжет и непроработанные герои. Картинка как всегда на высоте, шуток стало побольше,но не которые были вставлены не к месту. Весь фильм меня бесил Мегатрон и десептиконы из них сделали каких солдатиков, которых может убить даже человек, а Мегатрон из могучего лидера Десептиконов стал каким-то трусом. Фильм ужасный. Этот фильм хуже предыдущих картин по Трансформерам.… Expand

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4

Francisco123Jun 24, 2017

This review contains spoilers, click expand to view. The Transformers movies are not meant to be a plot-driven films, and I think that is why these movie gets such low scores. They are popcorn movies that are meant to entertain you with there stunning visuals, and Transformers: The Last Knight does just that. Is it the best film of the franchise? Absolutely not. And to be honest, the final battle is a bit underwhelming. The editing is horrendous. The humor is forced at times. That being said, it is still a fun and crazy movie with some big surprises.… Expand

0 of 4 users found this helpful04

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4

TSReviewsJun 24, 2017

Michael Bay once again proves that incredible visuals can not make up for lackluster characters and story.

In short, this film felt like an old machine with some new parts. If you really want a full review just review Transformers: Dark SideMichael Bay once again proves that incredible visuals can not make up for lackluster characters and story.

In short, this film felt like an old machine with some new parts. If you really want a full review just review Transformers: Dark Side of The Moon, basically the same deal.

Also, Anthony Hopkins needs to fire his agent. (Even though his performance was certainly a refreshing part).… Expand

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1

TheHatingManApr 9, 2018

This movie sucks, I did not leave the theater out of respect for the eleven dollars I spent on the ticket, too long and boring, in the action scenes you do not know what happens, the action scenes are too saturated with effects special. BORING.

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3

Dragonfly44Jul 19, 2017

While the Transformers movies aren't famous for a good script or amazing acting, this movie was a waste. A horrible story that didn't even live up to its low standards. But I will say, there was no shortage of action and that's what almostWhile the Transformers movies aren't famous for a good script or amazing acting, this movie was a waste. A horrible story that didn't even live up to its low standards. But I will say, there was no shortage of action and that's what almost made it worthwhile. Rating-36%… Expand

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6

panslabyrinthJul 21, 2017

I shall not tear this film apart just because everyone else is doing it; this film franchise, from the very beginning is flawed, and it is not Hollywood's best summer offering. Despite, I still tend to enjoy these movies, I am always keen forI shall not tear this film apart just because everyone else is doing it; this film franchise, from the very beginning is flawed, and it is not Hollywood's best summer offering. Despite, I still tend to enjoy these movies, I am always keen for the theatre experience, and watching this long, ridiculous but entertaining visual mess has worked for me every time a new one is released. "The Last Knight" is stupid like every other entry, but I enjoyed it very much. However, will I ever, or, have I ever re-watched a Transformers film again? No, never, and never will.… Expand

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0

andy24king24Nov 3, 2017

This is just sooo bad on every level. Why can’t Michael Bay realise that Transformers doesn’t work anymore. Far too long, stupid acting, the action is boring and once again that trademark Bay thing, he likes to blow things up a lot. There isThis is just sooo bad on every level. Why can’t Michael Bay realise that Transformers doesn’t work anymore. Far too long, stupid acting, the action is boring and once again that trademark Bay thing, he likes to blow things up a lot. There is just nothing in this film that works. The story is just ridiculous. And it’s such a shame cos there is at the end a giveaway to another transformers film. Oh no not again. Like Age Of Extinction, I think transformers is completely extinct now. Terrible, awful, woeful, boring.… Expand

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6

CoreGamer1408May 19, 2018

Lots of cool action scenes with likable characters and the little kids loved it as much as I did. So it worked as a all round family sci-fi film. So yeah a fun pop-corn movie.

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0

LilahkizOct 11, 2017

uggggghhh my stomach *groan* *pppppppppffffffftttt* look at my profile pic. anyway this movie is like someone farted HARD Explosions, banging chicks, bad editing, confusing story, Michael bay yep Transformers the last knight with craziest scenes

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4

Humble_BragSep 22, 2017

It's the 5th one. There's nothing new, just Michael Bay explosions and pretty people running around doing **** Overall, entertaining but terrible storytelling.

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3

tobiaschanJan 1, 2018

I don't feel like this is transformers anymore. I was very disappointed. I expected a better story about "transformers", not knight.

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4

naniinNov 16, 2017

"Трансформеры: Последний рыцарь" - худший фильм про трансформеров! Такой скучный, нудный и неинтересный фильм. Как всегда, концовка быстрая... Вроде куча трансформеров, но их всех почти убивают так и не раскрыв. А зачем? Сюжет полный маразм,"Трансформеры: Последний рыцарь" - худший фильм про трансформеров! Такой скучный, нудный и неинтересный фильм. Как всегда, концовка быстрая... Вроде куча трансформеров, но их всех почти убивают так и не раскрыв. А зачем? Сюжет полный маразм, как и весь фильм. Честное слово, лучше бы на 3 части закончили. Плюс только за экшен, Энтони Хопкинса и Прайма.… Expand

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10

ThaddeusDec 16, 2017

Best Transformers movie ever. Michael Bay delivers exactly what I was looking for. Too bad he will not be returning to direct Transformers 6. Hyped for the War For Cybertron movie. This was one of the year's best films.

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1

Brobo123Oct 9, 2018

This review contains spoilers, click expand to view. The only good thing this movie has going for it is the visuals. The story gets confusing as hell half-way through and after that, it bored me to death. It has tolerable script writing but the number of special effects just ruins the entire atmosphere making this world seem incredibly plastic. After that, the amount of continuity errors for a film of this higher budget is totally abhorrent. For example, Bee was apparently in WW2 and just so happened never to mention it across the previous 4 films, if you are going to add something like that to a character then you need to add some reason for him to not mention it or not show some indication of it. If you've watched the film you'll know that near the end BumbleBee gets his voice back, this could have been used to make BumbleBee speak more normally and allow for some comedic moments where he's getting used to using a regular voice again, but instead they make him speak almost the exact way he did when he had to use a radio, but this time he has absolutely no reason to! This means that BumbleBee is still just spouting irrelevant one-liners, but this time it isn't with his radio voice, making them fit in and not stand out due to him only having a small sample of voices to choose from, and instead with this unbroken voice that sounds like it was done in one take that totally throws off any moment in the movie that was trying to be dramatic.… Expand

0 of 2 users found this helpful02

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2

SaamedoardoApr 20, 2018

Worst Transformers ever. Such a bad movie under every aspect. Boring,useless,bad acting. Please free us from this trash

0 of 1 users found this helpful01

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1

LivingTribunalMay 19, 2018

I hate the fact that this was my first IMAX 3D movie, and it's still the worst among all others including even Inhumans, and Justice League. I expected a lot when I heard 90% of the movie was filmed in IMAX, but I still don't get the story.I hate the fact that this was my first IMAX 3D movie, and it's still the worst among all others including even Inhumans, and Justice League. I expected a lot when I heard 90% of the movie was filmed in IMAX, but I still don't get the story. They wasted all those budgets and actors/actresses.… Expand

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0

mrafrotastic00Jun 2, 2018

Transformers: The Last Knight: Michael Bay's fifth installment of the endlessly atrocious Transformers franchise is filled with expensive explosions, clichés, cheesiness, and possibly the worst dialogue ever. Mr. Bay, get directing tips fromTransformers: The Last Knight: Michael Bay's fifth installment of the endlessly atrocious Transformers franchise is filled with expensive explosions, clichés, cheesiness, and possibly the worst dialogue ever. Mr. Bay, get directing tips from the great Scorsese!
Starring: Mark Wahlberg. Anthony Hopkins. Josh Duhamel.
Directed by Michael Bay.
By Blake Patterson.
0/100. This is one of those abhorrent movies I saw on a website; I only watched it, because I wanted to tell people why Michael Bay sucks. Transformers: The Last Knight's incoherent plot is so goofy that I almost started laughing. Viewers see Stanley Tucci in disguise as Merlin, possibly the worst performance in his acting career, and Bay expects us to not recognize him. Someone should've paid the gifted Anthony Hopkins to be in this detritus; He portrays as a historian, Sir Edmund Burton, who says that there were robots in the medieval era. Burton's robot, Cogman, is a character that plagiarizes C-3PO perfectly; Lucasfilm should sue the crap out of this abomination. People who enjoyed this monstrosity should stay away from Bay's films; I'll make sure to recommend them classic movies. Mark Wahlberg appears in this film again, and it is said that he is leaving the franchise; Attaboy Wahlberg, you've made a smart movie pal! Bay follows his tradition of objectifying women in this one; Laura Haddock's character is a walking cliché that is supposed to please the men. The dialogue is substandard and corny; At the end of the film, Wahlberg's character says, “You did good bro,” to the young female character in the film played by Isabela Moner. Bay uses more tiring explosions than actual dialogue. Those are the many reasons why this film is one of the worst films I've ever seen. Transformers: The Last Knight is the worst film of the year so far. Lazy directing won't take you far folks!… Expand

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5

TheRaginKnightJul 9, 2018

How is this any different than Age of Extinction, by a lot worse. Plotholes from the last film were left unexplained, No character development from any character and this is the only Transformers film where the Robots get the least screen time

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6

bimmybob2001Oct 20, 2018

the first time I saw this film, I thought it was Really Good. but when I rewatched it, I found it to be kinda the same as "RotF" and "AoE" a Fun, Entertaining and somewhat Emotional film that's simply not as good as the only two Great filmsthe first time I saw this film, I thought it was Really Good. but when I rewatched it, I found it to be kinda the same as "RotF" and "AoE" a Fun, Entertaining and somewhat Emotional film that's simply not as good as the only two Great films in this series. it has a lot of Problems, but it's at least Watchable. definitely more watchable than "Resident Evil: the Final Chapter"… Expand

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2

ErikTheCriticSep 30, 2018

Just please end this abomination. The entries have only gotten worse and worse, and at this point, I'm sure nobody wants this franchise to continue.

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6

JoncaNov 20, 2018

This review contains spoilers, click expand to view. Critics arent objetive. It very good movie, very entretaining, Itve funny moments, action, primes, bee... It seem to me Its among the best three transformers movie… Expand

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6

Kirollos-NoahNov 29, 2018

This review contains spoilers, click expand to view. Transformers: The Last Knight is a new movie in the ups and downs franchise! This franchise started very well, and then went very bad, then "oh, there is a chance", to the best of the franchise, and when I finally thought that there's finally a way to save this franchise, they made Transformers: The Last Knight!

When the opening credits started, I was like "oh, the Paramount logo is accompanied by a series of robotic sounds. and fireballs are flying everywhere, this definitely gonna be a great movie!". Turns out, I was wrong! Actually it's a good movie, but not like Transformers: Age of Extinction -BTW, it's my favorite movie in the franchise-.

About the opening credits.. after the Paramount logo, I was thrilled, because of the epic battle, and disgusted because of the bad start of this movie, and the bad-acting! By saying "The bad start" I mean why did they know Merlin and how did he have contract with the Transformers and how all of that's happening?!

The whole movie was sometimes fine and sometimes very bad! The jokes were seriously unnecessarily. Until we reach to the fight of Optimus Prime and Bumblebee, the one that I was really waiting for, lasts only for 02:45 min. I was like "Com'on it's 02:34:38 movie, and all what I get is 02:45 min?" BTW, the length of this movie is so long, and that made me bored!

Back to the fight, how did Bumblebee speak? And how did that change Optimus Prime? This movie is just an open-questions movie!

The young actress Isabela Moner as Izabella was actually overreacting at everything she did!

The soundtrack and the CGI were really good. Beside the action sequence, it was very good!

So, Transformers: The Last Knight is a "just fine" movie!… Expand

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5

Logan12345Jan 10, 2019

This review contains spoilers, click expand to view. Movie cuts a little bit more, but the scene is the most explosive in history. There are many transformation scenes, and it will be exciting to see the Autobots transforming! The advertisement here has converged a lot. It seems that it is not all for money. It is not very shocking and I could accept these ads in the film. I suggest that advertisers can combine the plot and make the advertisements more flexibly and broadly, much better than hard ads.… Expand

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4

Huhan12345Jan 10, 2019

This review contains spoilers, click expand to view. The plot is unattractive and even full of urine. The editing was a mess, and there was no transition between the front and back lenses. The rotating lenses made people feel dizzy, especially the Jazz who said crosstalk like "the name of the dish" was embarrassed and wanted to die. I slept for more than two hours in a movie. The most brilliant thing is the advertisement. Every now and then it jumps out to frighten me and make me realize that I'm still watching movies.… Expand

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0

MiniMovieManiacFeb 6, 2019

The only thing good about this movie is that it finally brought an end to this franchise under Michael Bay. What should've been the easiest action movie franchises to helm, Michael Bay managed to make us hate the transformers. I hate theseThe only thing good about this movie is that it finally brought an end to this franchise under Michael Bay. What should've been the easiest action movie franchises to helm, Michael Bay managed to make us hate the transformers. I hate these movies and hope Michael Bay never touches another action franchise because he is poison as a director. This movie is plagued with the same problems of every movie and can't escape a terrible director and terrible writers who I think were actually 14-year-olds. Never watch this movie or series, it's not worth it!… Expand

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2

AadvArdMar 8, 2019

slow, boring and meaningless. This movie shows a heartless attempt to make an absurd story about transformers, the only rescatable are the visual effects that are impeccable, but only that, the rest is more than what we have shown in theslow, boring and meaningless. This movie shows a heartless attempt to make an absurd story about transformers, the only rescatable are the visual effects that are impeccable, but only that, the rest is more than what we have shown in the previous 4 movies, but more stupid and boring.… Expand

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5

TiagoSantosSApr 9, 2019

This review contains spoilers, click expand to view. Spoiler:

Bom, ja vimos de tudo em transformers. tudo que eles queria monstra. "já que não temos mais ideias, vamos reiniciar a franquia de uma maneira descarada e vergonhosa". para mim, transformers acabou no Dark of the Moon. os outros 2, desnecessarios. acabou ali... fechou o arco. bom, ainda tinha muita coisa para ser explorada. mais isso foi esquecido. e provavelmente estes furos permaneceram. agora vamos comentar a coisa mais idiota do filme:
" Todas as guerras humanas, foram causadas pelos transformers?" mais uma vez, tiramos a ideia que as pessoas são ma por natureza. o michael may, subestimou nossa inteligente com esse filme.… Expand

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3

Legit_LeeAug 2, 2020

im sick right now and watching this movie did not help at all like **** me this sucked ass

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8

HabibiehakimApr 20, 2023

8.5/10
Transformers: The Last Knight was for me felt like a soft sequel to Age Of Extinction, for it's more simplicity of the story and characters compare to the previous one, the old English Viking Knights elements which i found really8.5/10
Transformers: The Last Knight was for me felt like a soft sequel to Age Of Extinction, for it's more simplicity of the story and characters compare to the previous one, the old English Viking Knights elements which i found really entertaining, couple of good characters decision makes the movie better, fine performances by all the cast, The Last Knight still fills with epicness and impressive action from Bay, another entertaining and exciting installment on the overhated franchise specifically this one, i mean Revenge Of The Fallen was way worse and overall an awful Transformers movie, sure there is still a moment where i felt "oh there is another one" even that the movie still concluded in the most satisfying way possible, nit picky here and there, but overall The Last Knight was still a great movie, i'm not surprise that i really like the film, i have a good time, i can't see anything horrible at all on the film, and i like it, i really really do, The Last Knight is a great soft sequel to Age Of Extinction.… Expand

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10

anaadigiriAug 2, 2021

This being the last Michael Bay Transformers movie, it’s the best of the mainline series. The soundtracks is what usually makes me happy because it’s awesome and never disappoints! People are too worried about frame rates and plot holes.This being the last Michael Bay Transformers movie, it’s the best of the mainline series. The soundtracks is what usually makes me happy because it’s awesome and never disappoints! People are too worried about frame rates and plot holes. Cancel Culture killed this in the box office. A lot of people didn't go see this because of negative critics and the YouTube haters club. I went into this movie like I did all the other transformers movies I wanted to see lots of giant robot fight action. Love that they brought in Frank Welker as Megatron as a homage to the G1 series. And I love they gave the Decepticons more personality. Its a fun action blast em' up movie. Don't think too deeply or analyze too much, just enjoy this movie with a large sized popcorn and a 32oz drink! From Nemesis Prime's fight with Bumblebee, to robot battles in Medieval England, and to the nonstop action across the globe and in space, it's one of the best action films ever made! This movie couldn’t have been better. Hopefully someday we get to see the planet-sized Transformer Unicron in the sequel to this film...… Expand

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3

JJ2FAS4UDec 30, 2021

----------------------------------3.3/10-----------------------------------

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1

B3ckettDec 28, 2022

I found myself dazzled at least a couple of times with the dialogue. It feels like it’s been written by a 9-y.o. The CGI, as usual, keeps your finger on the rewind button to understand after the 34th time what happened. And then you haveI found myself dazzled at least a couple of times with the dialogue. It feels like it’s been written by a 9-y.o. The CGI, as usual, keeps your finger on the rewind button to understand after the 34th time what happened. And then you have those shots from down below. Bay should understand by now that this works in short music clips, not movies.

Wahlberg is pure comedy, Hopkins should erase this from his memory, which he probably has due to his age and absolutely all of the cast should follow.

This is as shallow as it gets. It’s dumb, it’s incoherent… did mention dumb?

I was raised on the 1986 Transformers movie and this is an abomination.… Expand