Submission

Name: Submission
Genre: Drama
Released: March 2, 2018
Duration: 106 min
Rating: 52
Cast: Addison Timlin, Alison Bartlett, Ashley Trawinski, Colby Minifie, David Pittu

2018

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Mixed or average reviews based on 13 Critic Reviews

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USER SCORE

Generally favorable reviews based on 7 Ratings

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7.0	User Score Generally favorable reviews based on 7 Ratings

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Submission

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Movie Details & Credits

Great Point Media | Release Date: March 2, 2018 | Not Rated

Starring: Addison Timlin, Alison Bartlett, Ashley Trawinski, Colby Minifie, David Pittu, Henry Stram, Janeane Garofalo, Juan Castano, Kyra Sedgwick, Matt Ballard, Ritchie Coster, Stanley Tucci

Summary: Ted (Stanley Tucci) is a once-acclaimed author who teaches writing at a small liberal arts college. Though his marriage to Sherrie (Kyra Sedgwick) is comfortable, he finds himself drowning in discontent -- stuffy departmental dinners at which he drinks too much, smug colleagues whom he dislikes yet fears he resembles, and an endless streamTed (Stanley Tucci) is a once-acclaimed author who teaches writing at a small liberal arts college. Though his marriage to Sherrie (Kyra Sedgwick) is comfortable, he finds himself drowning in discontent -- stuffy departmental dinners at which he drinks too much, smug colleagues whom he dislikes yet fears he resembles, and an endless stream of untalented students. But when a new pupil, Angela (Addison Timlin), shows promise Ted focuses on nurturing her career, and she appears more than willing to devote the one-on-one time required. Basking in Angela's youth, talent, and admiration, just as she benefits from Ted's wisdom, experience, and professional connections, it's only a matter of time before lines are crossed and it becomes unclear whether Ted is predator or prey and Angela is victim or victimizer.… Expand

Director: Richard Levine

Genre(s): Drama

Rating: Not Rated

Runtime: 106 min

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Critic Reviews

Sheri Linden

Mar 8, 2018

Honoring the primacy of language for his characters, Levine deftly reveals the ways they wield it to seduce, attack, manipulate, repress and, occasionally, to communicate. Read full review

Rex Reed

Mar 20, 2018

A fresh and valiant attempt to breathe some fresh air into the #MeToo movement, Submission is stimulating and intelligently rendered until the final act, when predictability sets in. Read full review

David Lewis

Mar 7, 2018

Submission is not a bad film — it just feels like an early draft. Read full review

IndieWire David Ehrlich

Mar 6, 2018

Like a time-traveler who sets into motion the same fate they’re trying to undo, Submission is so desperate not to become a cliché that it ultimately wastes a golden opportunity to become something more. Read full review

Ann Hornaday

Mar 7, 2018

Bolstered by good supporting performances from Kyra Sedgwick, Janeane Garofalo and Ritchie Coster, Submission is a handsome-looking film that aims to fulfill the most meek, well-behaved implications of its title. Read full review

Peter Travers

Mar 2, 2018

Submission – despite valiant performances from Stanley Tucci and Addison Timlin as the parties involved – lacks the spark it needs to spring to life. Read full review

Alan Scherstuhl

Mar 1, 2018

You know that moment about fifteen minutes before the end of most American narrative features, when the protagonist is brought to his or her low point, and it looks as if there’s no possible way things could get better? Something has probably gone wrong if viewers are cheering that. Read full review

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HollywoodG

Nov 16, 2021

King Richard tells the story of Richard Williams, the father of women's tennis superstar sisters, Venus and Serena Williams. With a run time of 144 minutes, King Richard seemed to reach its conclusion too quickly - a tribute to how mesmerizing the film is. Numerous times the audience eruptedKing Richard tells the story of Richard Williams, the father of women's tennis superstar sisters, Venus and Serena Williams. With a run time of 144 minutes, King Richard seemed to reach its conclusion too quickly - a tribute to how mesmerizing the film is. Numerous times the audience erupted with applause and approval as the Williams family overcame obstacle after obstacle. Will Smith portrayed Richard Williams with fortitude and tenderness - qualities not always evident from Richard Williams' public persona. Saniyya Sidney and Demi Singleton portray Venus and Serena in very compelling performances. Aunjanue Ellis portrays Oracene 'Brandy' Williams. Ellis and Smith play off each other remarkably well. The pair were recently announced as the recipients of the 2022 Santa Barbara International Film Festival's (SBIFF) Outstanding Performers of the Year. Kudos to Casting Directors Rich Delia and Avy Kaufman! In life, Richard Williams often came across in the media as brash, touting with a braggadociousness how his daughters were coming to dominate women's tennis, the likes of which had never been seen before would never be seen again, and there wasn't anything anyone could do about it. What he didn't tell the public, and what King Richard tells so well, is he also wanted his daughters to have a real childhood, meaningful adolescence, and to be prepared to lead successful lives. Throughout King Richard, Richard Williams came across as a devoted husband, father, and coach delving into some of his formative life experiences growing up in a racist environment. Rearing his family in Compton, California, also had its challenges for Williams. But, Richard Williams had a plan - he wanted a better life for his family. Technically speaking the film is very solid. The film's cinematography is excellent. AFI Conservatory Alumnus, Robert Elswit utilizes some natural lighting with traditional lenses and frames for establishing shots juxtaposed with fast zoom lenses to capture the action with tight framing combined with extreme closeups of the Williams sisters, generating some major pace with their groundstrokes and capturing winning overhead smashes. Editor Pamela Martin made the shots and their complementary counterparts (returns) appear seamless with the continuity editing and helped create some riveting moments with the shots provided. In addition, non-diegetic sounds kept the film's pace and helped match the film's tone and the actors' emotionality. Kris Bowers is credited with the music. Costuming, make-up, and production design are all complementary to the characters and the period covered in the film. And, last but not least, Director Reinaldo Marcus Green, helming only his second feature film, steered King Richard to a beautiful conclusion culminating in Venus's first professional matches and first tennis matches of any kind in three years. The excitement she (and Serena later) brought to the game of tennis encouraged an entire generation of young African-American girls that anything is possible if they are willing to put in the work. Credit to Zach Baylin for writing sharp dialogue and creating an engaging narrative.  King Richard is chock full of inspiration and hope. Ahhh...the power of film and the magic of AFI FEST - Hollywood. Talk about speaking truth to power in layers. Look for King Richard in theatres Friday. Highly recommended! Unti next time, I'll see you at the movies!… Expand

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JLuis_001

Jul 14, 2018

This film reminded me of ''Breathe In'' although I have to admit they're quite different from each other.

Submission is a serious film, although far from novel. The subject itself is interesting but I believe the handling was bad. The truth is I never felt blended with the story. I neverThis film reminded me of ''Breathe In'' although I have to admit they're quite different from each other.

Submission is a serious film, although far from novel.
The subject itself is interesting but I believe the handling was bad. The truth is I never felt blended with the story. I never felt really attracted to it. Especially because it has certain errors that really affect it too much because although the acting work of both Stanley Tucci and Addison Timlin is good their characters are not really interesting and also the turn the story takes can be seen coming from very far therefore it becomes predictable and the interest fades out as well as the quality of the entertainment.

It wasn't like really bad, but it's not really a big attractive option.… Expand

0 of 0 users found this helpful00

Rick1000

Jul 7, 2018

This review contains spoilers, click expand to view. What begins as a long-winded exploration of the literary process actually turns into a somewhat compelling story, despite the lead character being dragged through the film with a total lack of personality. What could or should have led to a more engaging climax, ends with less than a whimper. Movies should make some valid point, this one provides a bland, convenient, unfulfilling ending that will leave you wondering why you spent the time watching it at all. Plus, as a professional author, I can assure you that publishers never, ever buy novels from newcomers based on a few chapters. At least have credibility even in a bad script.… Expand

0 of 0 users found this helpful00

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