No Light and No Land Anywhere

Name: No Light and No Land Anywhere
Genre: Drama
Released: March 16, 2018
Duration: 75 min
Cast: Ben Fisher, Ben Thoma, David Sullivan, Deborah Dopp, Gemma Brockis

2018

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Movie Details & Credits

Factory 25 | Release Date: March 16, 2018 | Not Rated

Starring: Ben Fisher, Ben Thoma, David Sullivan, Deborah Dopp, Gemma Brockis, Jack Chaffee, Jade Sealey, Jennifer Lafleur, Kent Osborne, Marcus Wells, Nancy Voorhees Harvey, Patrick Vest, Phyllis Fisher

Summary: Grieving her mother’s death and her own failing marriage, Lexi (Gemma Brockis) boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three-years-old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, beginning with his aging former in-laws, collectingGrieving her mother’s death and her own failing marriage, Lexi (Gemma Brockis) boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three-years-old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, beginning with his aging former in-laws, collecting numbers and addresses in the hopes that one will lead to her father. Along the way, she establishes other unexpected connections: her father’s ailing former second wife (Deborah Dopp), her bitter half-sister Tanya (Jennifer Lafleur) and her caregiver girlfriend (Jade Sealey), and two local barflies (David Sullivan and Kent Osborne). A stranger in the City of Angels, Lexi’s reckless searching leads to cautious discoveries in this atmospheric and introspective quest.… Expand

Director: Amber Sealey

Genre(s): Drama

Rating: Not Rated

Runtime: 75 min

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Critic Reviews

Jessica Kiang

Mar 19, 2018

The story Sealey tells is slender, dissociative and inward-looking to the point of self-indulgence at times. But Brockis, with her stubborn jawline, two-tone shock of hair and striking heterochromatic eyes, is a powerful presence. Read full review

Teo Bugbee

Mar 15, 2018

In the scenes that break with banality, there is a zing not only of originality, but of daring. Read full review

Kristen Yoonsoo Kim

Mar 22, 2018

There are some nicely shot moments throughout, but they feel empty — slow montages that mostly just fill out the film’s thin plot and already slim runtime. Read full review

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