Mad Money
Overture Films | Release Date: January 18, 2008 CRITIC SCORE DISTRIBUTION
41
METASCORE
Mixed or average reviews based on 31 Critic Reviews
Positive:
3
Mixed:
21
Negative:
7
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Critic Reviews

Critic scorePublicationBy date
40
The Hollywood ReporterKirk Honeycutt
Improbable and generally unfunny comedy. Read full review
40
VarietyJustin Chang
Banking on the appealing chemistry of Diane Keaton and Queen Latifah -- with co-star Katie Holmes awkwardly upsetting the balance -- this strained heist comedy about three cash-strapped femmes is watchable enough for a few reels, but lacks the requisite wit and amoral energy to capitalize on its get-rich-quick premise. Read full review
60
Village VoiceRobert Wilonsky
While it's all so breezy and zippy and girl-power peppy, it's Keaton who makes Mad Money worth a few bucks. Read full review
50
ReelViewsJames Berardinelli
Mad Money is a comedy caper where the caper's not interesting and the comedy's not funny. Read full review
50
Charlotte ObserverLawrence Toppman
Everyone in the cast treads water, acting-wise -- there's nothing else to do -- except for Latifah, who brings passion to her work. Read full review
42
The A.V. ClubKeith Phipps
As a comedy, it relies on Keaton and Latifah playing the same characters they always play, and Holmes overcompensating by switching into bug-eyed manic-comedienne mode. Her performance is part Lucille Ball, part overcaffeinated chicken, and it deserves some credit for daring, but none for execution. Read full review
58
Seattle Post-IntelligencerWilliam Arnold
The results are moderately entertaining, but the humor is broad and shallow; the film has none of the irony, bite or wit of its predecessor; and the script (by Glenn Gers) seems so calculated to appeal to every conceivable female demographic that it always feels contrived. Read full review
40
Wall Street JournalJoe Morgenstern
If the movie gets by, as it surely will during the current entertainment drought, most of the credit should go to a couple of performers (Latifah/Keaton) who come from different traditions, yet share a gift for breathing life into moribund material. Read full review
50
TV Guide MagazineKen Fox
Once the star of some of the finest movies of the '70s and '80s, Keaton has begun making just this kind of chick-flick comedy with increasing regularity at least since 1996's "The First Wives Club," and it's gotten so she's not even trying to get into character anymore. Read full review
50
Washington PostAnn Hornaday
Possesses its share of modest laughs, many of them delivered by Ted Danson as Bridget's bemused husband. But director Callie Khouri (best known for writing "Thelma & Louise") doesn't bring the dash needed to make this a comic heist on a par with "Ocean's Eleven." Read full review
50
The Globe and Mail (Toronto)Rick Groen
The pocketing of tired bills headed for the shredder, the producing of tired movies headed for the theatre -- it's all just recycling. Read full review
50
The New York TimesStephen Holden
In the breezy, amoral heist comedy Mad Money, “Fun With Dick and Jane” meets “9 to 5” on the way to recession. Read full review
58
Baltimore SunChris Kaltenbach
The pleasures of this slight caper film are strictly small-screen, as three talented actresses walk through quaint roles before they hurry on to the next project. Read full review
50
Los Angeles TimesCarina Chocano
Keaton and Ted Danson, who plays her husband, Don, are the comedic bright spot in the movie, not least because they are ridiculous. Read full review
50
Miami HeraldRene Rodriguez
If you're going to make a heist picture, then at least have the decency to make the heist itself interesting. Otherwise, do like Tarantino did in "Reservoir Dogs" and just skip it altogether. Read full review
50
Philadelphia InquirerCarrie Rickey
A likable and completely dispensable heist film starring two of the deftest comedians working (Keaton and Latifah), the film from Callie Khouri is itself an American retread of the British caper telefilm "Hot Money." Read full review
42
Portland OregonianM. E. Russell
The movie is not so much horrible as it is drab -- from its lazy plotting to its uninspired yuks to its cop-out ending to its relentlessly yellow-brown sets. "Mad Money" does little more than take up space, and you will be two hours closer to the grave when you leave the theater. Read full review
40
SalonStephanie Zacharek
The picture has no legs, no style, no sense of movement other than the meandering, dawdling kind. Read full review
50
San Francisco ChronicleMick LaSalle
A caper comedy with some definite problems. Read full review
50
Austin ChronicleJosh Rosenblatt
Move over, Gordon Gecko: The new poster boy for American greed in the movies isn’t a silver-tongued corporate hustler with pomaded hair and a closet full of $10,000 suits. In fact, the new poster boy for American greed in the movies isn’t a boy at all. I know you won’t believe me when I tell you, but you’ve been replaced by Diane Keaton. Read full review
40
Film ThreatFelix Vasques Jr.
The best way to describe Callie Khouri’s Mad Money is as “Ocean’s Eleven” if it were geared to the drones at the Oprah Winfrey book club. Read full review
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