Leatherface: Texas Chainsaw Massacre III

Leatherface is as tasteless as its predecessors, but it reduces fear to a business and blood to a drip. It's a slaughterhouse without any real buzz. [15 Jan 1990, p.F2]

This thoroughly unoriginal splatter flick is littered with references to Hooper's seminal work and lifts the plot directly from its predecessor. [15 Jan 1990, p.C6]

There might be a lot of guts scattered around in Leatherface: Texas Chainsaw Massacre III, but it's a completely gutless movie, without the wit to be a comedy or the nerve to stand on its own as a straight horror picture. It just floats around at its own dull pace, trying this out and that out, as it slowly sinks. [13 Jan 1990, p.C30]

Chainsaw III is competent enough when establishing its premise, but thereafter violates almost every shock-movie convention. The film's visual effects are often ghastly, although there is probably less gratuitous gore here than in any Friday the 13th movie. [17 Jan 1990, p.4D]

The Museum of Modern Art has committed Tobe Hooper's original Texas Chainsaw Massacre (1974) to its permanent collection. This spin-off, which has none of that film's brutal energy, won't be joining it. The state of Texas ought to sue the makers of Leatherface: Texas Chainsaw Massacre III for defamation of character. [13 Jan 1990, p.C5]

For those who saw the first two Massacres, this will seem pretty much deja-boo! All too much of III is rehashed horror. The first installment was genuinely shocking, unrelenting, visceral terror. II was camp terror, a gothic detour that cast Dennis Hopper as a good guy (albeit nuts). III envisions itself as a return to I, but director Jeff Burr is no Tobe Hopper (director of the first installment), and even the special effects seem bloodless imitations. Read full review