Land of the Pharaohs

Howard Hawks’s only attempt at a wide-screen blockbuster (1955), much disparaged afterward by Hawks and many others, is actually fairly awesome if you can get beyond the clunky dialogue (some of it written by William Faulkner, as well as Harry Kurnitz) and the campy evilness of the Joan Collins character. Read full review

Joan Collins and her pointy bras are a hubba-hubba hoot. Read full review

Jack Hawkins is convincing in the lead role, while Joan Collins does what she does best, playing a ruthless, self-obsessed queen with no redeeming qualities – but we can’t help but love her. Read full review

When the viewing senses begin to dull from the tremendous load of spectacle, the script and Hawks’ direction wisely switch to sex and intrigue. Read full review

Despite script collaboration by his friend William Faulkner, this is Hawks' hokiest movie, a stilted Egyptian period piece about pyramid-building and sexual intrigue with Jack Hawkins as the Pharaoh and Joan Collins a conniving temptress with a jeweled navel. Yet the director gives it real spectacle; it looks great. [13 Feb 1998, p.N]

This lavish historical epic has plenty of campy treasure in it. [07 Aug 2013]

Howard Hawks admitted that he and co-scenarist William Faulkner never got the hang of how ancient Egyptians probably talked, but he produced a spectacular epic. [05 Oct 2001]

They don't make 'em like Land of the Pharaohs anymore, but you wished they did.

A flop in its day despite France's rhapsodic reaction, but a movie I've always loved even before its knockout finale, which even detractors admit redeems a lot. [29 Jun 2007, p.10E]