End of Days
Universal Pictures | Release Date: November 24, 1999 CRITIC SCORE DISTRIBUTION
34
METASCORE
Generally unfavorable reviews based on 33 Critic Reviews
Positive:
4
Mixed:
13
Negative:
16
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Critic Reviews

Critic scorePublicationBy date
0
Austin ChronicleMarc Savlov
We're treated to such a broad panoply of godawful dialogue, righteously shoddy acting, and, worst of all for an action blockbuster of this sort, subpar effects work, that's it's all you can do not to giggle helplessly. Read full review
0
Baltimore SunAnn Hornaday
Idiotic, ugly and ridiculous.
38
Boston GlobeJay Carr
It seems endless. It's also unusually crude and stupid, even for an Arnold Schwarzenegger movie. Read full review
16
Charlotte ObserverLawrence Toppman
I do have one overpowering Y2K fear: that Hollywood will keep belching out movies as excruciatingly dull, brutal, mindless and overlong as End of Days. Read full review
25
Christian Science MonitorDavid Sterritt
Too bad (Arnold) can't save the movie from it's superstitious clap-trap, sadistic violence, and sheer silliness. Read full review
20
Film.comJohn Hartl
Full of sound and fury, signifying absolutely nothing, End of Days is the loudest and least of the year's end-of-the-world movies. Read full review
30
Film.comSean Means
Drab and depressing. Read full review
30
L.A. WeeklyManohla Dargis
A dud. Read full review
18
Mr. ShowbizKevin Maynard
Such a witless, bombastic, by-the-numbers hunk of millennial hooey it made me nostalgic for Commando. This one throws in every hoary hellfire cliché.
25
New York Daily NewsJami Bernard
It's brain-dead start to finish. Read full review
33
Portland OregonianShawn Levy
Best laugh at the movies all autumn.
25
San Francisco ExaminerWalter Addiego
The movie equivalent of the fruitcake you get every year from the folks back home. It's brick-heavy and full of nasty bits you don't want to put in your mouth, lovingly wrapped in pink cellophane. Read full review
30
The New York TimesJanet Maslin
Two ridiculous blood-soaked hours. Read full review
38
USA TodayAndy Seiler
The actors take a back seat to computer-generated demonic images and apocalyptic special effects.
30
Village VoiceMichael Atkinson
85 percent explosions and editing idiocy (a window can't break without director Peter Hyams cutting between five different angles) and 15 percent Arnold trying to grow a third dimension. Seeing him try for "sad" is like watching a dog try to talk. Read full review
30
Washington PostDesson Thomson
All fire-and-brimstone bunk, a tired compendium of involuntary crucifixions, grim messages carved into human flesh, fly buzzings, ominous choral chants on the soundtrack and at least one head twisting. Read full review
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