Bloody Oranges

Name: Bloody Oranges
Genre: Drama, Comedy, Crime
Released: March 18, 2022
Duration: 102 min
Rating: 69
Cast: Alexandre Steiger, Blanche Gardin, Céline Fuhrer, Christophe Paou, Denis Podalydès

2022

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Generally favorable reviews based on 6 Critic Reviews

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Movie Details & Credits

Anti-Worlds | Release Date: March 18, 2022 | Unrated

Starring: Alexandre Steiger, Blanche Gardin, Céline Fuhrer, Christophe Paou, Denis Podalydès, Florence Janas, Fred Blin, Lilith Grasmug, Lorella Cravotta, Olivier Saladin

Summary: A retired couple deeply in debt try to win a rock dance competition. A minister is suspected of tax fraud. A teenager makes the acquaintance of a pervert.

Director: Jean-Christophe Meurisse

Genre(s): Drama, Comedy, Crime

Rating: Unrated

Runtime: 102 min

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Critic Reviews

Michael Nordine

Apr 19, 2022

Few movies swap genres halfway through, and even fewer do so successfully. “Bloody Oranges” does both. Read full review

Wendy Ide

Apr 19, 2022

A savage black comedy and an up-to-the-moment commentary on contemporary society, Bloody Oranges launches a broadside on political correctness. Read full review

Abhishek Sharma

Apr 20, 2022

Bloody Oranges somehow registers itself as an important film and proves significant in every cinematic sense. Read full review

Noel Murray

Apr 23, 2022

Bloody Oranges isn’t a heavy-handed polemic. It’s more a genre-hopping experiment: sometimes funny, sometimes terrifying. Meurisse’s pluck is admirable, even though — or perhaps because — he’s made something often incredibly unpleasant. Read full review

The Guardian Peter Bradshaw

Sep 12, 2022

It’s a strange film; it rattles fiercely along, but its relentless cynicism and nihilism leaves a sour taste and opinion may divide as to exactly how funny it is. Podalydès gives an entertainingly blase performance as the worldly image consultant, trying to seduce Alexandre over lunch. Read full review

Movie Nation Roger Moore

Apr 18, 2022

Taken as a whole, the film is the quintessence of “mixed bag,” with some sketch situations, characters and performances commanding our attention, and others just sort of drifting by, “connecting” the disparate stories but accomplishing little else. Read full review

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