Are We Good?

Name: Are We Good?
Genre: Biography, Comedy, Documentary
Released: October 3, 2025
Duration: 97 min
Rating: 69

2025

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Generally favorable reviews based on 6 Critic Reviews

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Movie Details & Credits

Utopia | Release Date: October 3, 2025 | Not Rated

Summary: Comic and podcast pioneer Marc Maron reflects on loss and growth after the death of his partner, Lynn Shelton. As he processes grief and crafts comedy, he revisits his career, family struggles, and the evolving comedy world at 60.

Genre(s): Biography, Comedy, Documentary

Rating: Not Rated

Runtime: 97 min

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Critic Reviews

Collider Ross Bonaime

Oct 1, 2025

Are We Good? isn’t just an enthralling look at pain, loss, and how we handle unexpected grief; it’s also a reminder that life is always full of surprises — both good and bad — and that unexpected journey will certainly have you asking "WTF?" throughout. Read full review

Lovia Gyarkye

Oct 3, 2025

It’s an introspective portrait of how grief forces Maron, who spent a career metabolizing his feelings into cantankerous jokes, to finally confront his emotions. Read full review

The Playlist Rodrigo Perez

Oct 1, 2025

By the end, Are We Good? transcends its conventional biographical trappings to land somewhere soulful. Dragging us through the wreckage of grief and out the other side, it suggests that Maron’s legacy isn’t merely acerbic stand-up or podcast milestones, but the more complex work of becoming human in public. Read full review

Gary Goldstein

Oct 16, 2025

It’s a tricky balancing act that Feinartz depicts with candor, grace and patience, never letting the film’s provocative pathos turn overly grim or sentimental. Read full review

RogerEbert.com Matt Zoller Seitz

Oct 3, 2025

In fairness, Maron doesn’t provide Feinartz with the raw material to make the kind of movie it seems he wanted to make. We get the feeling that, over the course of participating in the project, Maron realized that he and the filmmaker were not an ideal match. Read full review

Ben Kenigsberg

Oct 3, 2025

Part of the accomplishment of Feinartz’s film, which at times comes across as too deferential, is that it fitfully succeeds in cracking his shell. Read full review

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