Worldless

Though its turn-based combat may end up doing most of the heavy-lifting, that Noname Studios have cleverly crafted something that’s both fleshed out and as appealing as it is, means Worldless still winds up a delightful studio debut. That something as well-established as a turn-based system can feel fresh and exciting all over again. Aided on top by the puzzle-like construction and re-framing combat as one to work out. One where the smartest moves are just as important as the strongest sort. Such is the variety and continued evolution on its premise, it’s enough of a strong showing that it relegates the otherwise less-exciting elements to that of minor frustrations. Out amidst its geometrically-abstract environments things may look ordinary and plain, but it’s thanks to its combat encounters where Worldless flaunts its creativity where and when it matters most. A premise that is not only interesting, but both challenging and stylish alike.

Worldless stands out for its vibrant visual aesthetic and strategic challenges in turn-based battles. The abstract approach to the plot and the lack of detailed explanations can be frustrating, requiring discovery through trial and error. The experience offers intense moments, in which precise timing is crucial. Backtracking encourages exploration and solving challenges with new skills, despite some frustrating elements regarding understanding the mechanics.

An inspired new take on the 2D Metroidvania concept, whose challenging combat and rewarding exploration is accompanied by some stunning audio and visual design.

Worldless is an excellent surprise, whose mastery of the simple is matched only by the finesse of its combat and puzzles. In a year awash with blockbusters, Worldless and its ten hours or so of carefully constructed experience are a breath of fresh air and an extremely promising first project for NoName Studio.