System Shock

What really excites me when I play System Shock is how little it holds my hand. You can — and probably will — eat absolute shit the first time you try to make your way through the medical bay. You can get yourself into unsolvable situations — it’s a game that asks you to pay attention, that doesn’t always signpost the next thing to do. It also rewards your curiosity as much as it does your caution. I often found my way through levels mostly by accident, by deciding to turn down hallways I hadn’t gone down before. There’s always a discovery — a new weapon or a vending machine or a shortcut — or at least a useful lesson lying in wait. It’s easy to understand why people played this game and then became obsessed with it, why you can trace some people’s careers through the game. Ken Levine, who worked at Looking Glass when it making System Shock, certainly never stopped trying to make System Shock, eventually giving BioShock: Infinite an ending that suggests there are thousands upon thousands of variations on this theme. [Polygon Recommends]

But if you’ve an appetite for space dungeoneering in the company of one of gaming’s most iconic and influential villains, you’ll find the remake cleaves close to that original pitch. This is the product of a team which, to its credit, believed in the 1994 proposition of System Shock and trusted it would still stand up today, in spite of a 30-year shift towards smoothing the player’s path. The result has proved them right. It transpires that our creepy, manipulative robot mother knows best. [RPS Bestest Bests]