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Awards & Rankings

Metascore
74

Mixed or average reviews - based on 40 Critic Reviews

Critic score distribution:
  1. Positive: 22 out of 40
  2. Negative: 0 out of 40
  1. May 8, 2026
    70
    The best praise you can give Romeo is a Dead Man is this is probably exactly what game you would expect from Grasshopper Manufacture and Suda51. It has that Suda51 personality embedded within it, even if it is a bit rough. Its stylish presentation, absurd storytelling, and amusing ideas like the Bastards system, along with entertaining combat help make it a fun time, but it eventually becomes repetitive as enemy variety thins out in the later stages with that frustrating level design. Still, for fans of Suda51’s work, there is stuff here to appreciate. It is a little messy, somewhat inconsistent, and a bit rough, but unmistakably a Grasshopper Manufacture game, and that alone will be enough for some people. What I am trying to say is that Romeo is a Dead Man is good, but in a quaint, unconventional manner.
  2. Apr 15, 2026
    80
    An unconventional action game that chaotically dances to the bizarre rhythm of Goichi Suda’s drum. It is flawed, incoherent, and narratively disjointed, offering little emotional payoff, but also undeniably great and refreshingly different.
  3. Apr 15, 2026
    70
    Romeo is a Dead Man is a creative, confusing, and bizarre Suda51 game. It's a mix of brilliant creative delirium and confusing, disconnected oddities, all underscored by unappealing gameplay that becomes monotonous. The game's greatest strength is its unpredictable aesthetic, constantly shifting visual styles to keep players alert. However, beneath the visual and narrative madness lies a hack-and-slash action game with Soulslike elements that often fails to match its presentation.