For 109 reviews, this critic has graded:
  • 77% higher than the average critic
  • 4% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

William Goss' Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Mud
Lowest review score: 25 Texas Chainsaw 3D
Score distribution:
  1. Positive: 68 out of 109
  2. Negative: 4 out of 109
109 movie reviews
    • 51 Metascore
    • 75 William Goss
    Despite its apparent compromises to noble finger-wagging (initially) and requisite fist-pumping (eventually), Waugh has fashioned a sturdy character-first entertainment out of Snitch at a time of year when those are all too rare to behold.
    • 76 Metascore
    • 58 William Goss
    A glimpse into how three different definitions of love can find themselves quietly at odds, the interactions between our three leads are always convincing if not always compelling.
    • 63 Metascore
    • 75 William Goss
    A noir-tinged, noose-tightening ordeal [that] confirms Antonio Campos, if not the entire Borderline Films outfit, as a filmmaker/team to be reckoned with.
    • 58 Metascore
    • 75 William Goss
    Each scene is a brisk vignette of deadpan reversal, often involving a running theme of miscommunication.
    • 54 Metascore
    • 83 William Goss
    V/H/S delivers the thrills and chills craftily and with a better batting average than usual.
    • 31 Metascore
    • 67 William Goss
    It's easy to take most films' war-torn elsewheres for granted, and taken on its own merits, Red Dawn is a victory of small battles and heavy artillery, sentimental but rarely too hackneyed, energetic without becoming too silly.
    • 71 Metascore
    • 75 William Goss
    Fans of Birbiglia should be easily entertained, and with a little luck, it will only earn this particular loveable neurotic a few more of those.
    • 59 Metascore
    • 75 William Goss
    Forever doesn't deviate terribly from the can-we-be-friends-after-sex playbook, but it rarely opts for hysterics or contrivance to push our leads along, so long as you can swallow the amicability with which they initially divorce.
    • 36 Metascore
    • 83 William Goss
    The truth is, while Red Lights isn't terrifically scary, it is thrilling in other ways, constantly playful and often tongue-in-cheek as it works through the hokey conventions of the genre.

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