Walter Addiego
Select another critic »For 620 reviews, this critic has graded:
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42% higher than the average critic
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4% same as the average critic
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54% lower than the average critic
On average, this critic grades 2.6 points lower than other critics.
(0-100 point scale)
Walter Addiego's Scores
- Movies
- TV
| Average review score: | 63 | |
|---|---|---|
| Highest review score: | The Tarnished Angels | |
| Lowest review score: | Deck the Halls | |
Score distribution:
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Positive: 354 out of 620
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Mixed: 210 out of 620
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Negative: 56 out of 620
620
movie
reviews
- By Date
- By Critic Score
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- Walter Addiego
Among the film's more intriguing revelations is the key role California's almond crop plays in the nation's bee industry.- San Francisco Chronicle
- Posted Jun 7, 2011
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- Walter Addiego
The movie's mixture of romance and noir, its air of menace and a certain occasional playfulness suggest the filmmakers have been thinking about Polanski and Hitchcock.- San Francisco Chronicle
- Posted May 12, 2011
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- Walter Addiego
Skillfully made and offering moments of great power, the French Canadian drama Incendies nevertheless overplays its hand, piling tragedy on tragedy until we feel browbeaten with misery.- San Francisco Chronicle
- Posted May 5, 2011
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- Walter Addiego
Art history lessons don't get much better: Cave of Forgotten Dreams presents the world's oldest paintings captured by one of film's great visionaries.- San Francisco Chronicle
- Posted May 5, 2011
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- Walter Addiego
His affable, regular-guy shtick works well here, and he scatters the movie with such gleeful ads for his sponsors' products that, if his documentary work ever dries up, his next career choice is obvious.- San Francisco Chronicle
- Posted Apr 21, 2011
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- Walter Addiego
The most amazing act in the Gran Circo Mexico doesn't take place in the ring - it's the grind between performances.- San Francisco Chronicle
- Posted Apr 14, 2011
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- Walter Addiego
Cunningham's work is about seeing and teaching us how to see, and that should be plenty for us.- San Francisco Chronicle
- Posted Apr 7, 2011
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- Walter Addiego
Wilson is basically playing an even more feckless version of his "Office" character, Dwight, another intense and self-deluded doofus. It's a character that works better in smaller doses.- San Francisco Chronicle
- Posted Mar 31, 2011
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- Walter Addiego
There are odd comic moments, but this is a bleak, nighttime, nightmare world, where the couple seem to have about the same chance at a happy outcome as the accident victims.- San Francisco Chronicle
- Posted Mar 24, 2011
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- Walter Addiego
It serves up a broad humanistic lesson with absurdism and black comedy more sad than barbed.- San Francisco Chronicle
- Posted Mar 17, 2011
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- Walter Addiego
Carbon Nation serves us a full portion of scary statistics, but overall tries to accentuate the positive.- San Francisco Chronicle
- Posted Mar 10, 2011
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- Walter Addiego
For some, this sort of thinking is a much-needed revolution in human consciousness. For others, it's little more than New Age platitudes and questionable science.- San Francisco Chronicle
- Posted Mar 3, 2011
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- Walter Addiego
A doleful melodrama. There are some intense, moving sequences, but too much emotional badgering and a general shortage of finesse.- San Francisco Chronicle
- Posted Mar 3, 2011
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- Walter Addiego
What stays with the viewer is a sense of a man unraveling from his own mistakes and weaknesses.- San Francisco Chronicle
- Posted Feb 24, 2011
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- Walter Addiego
It's hard to decide what's worse about this feral clan residing in Brighton, England: their unspecified criminal enterprises, their penchant for bloody vengeance or their twisted family dynamic.- San Francisco Chronicle
- Posted Feb 17, 2011
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- Walter Addiego
This was obviously a labor of love for Soderbergh, and a fitting memorial to the artist.- San Francisco Chronicle
- Posted Feb 17, 2011
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- Walter Addiego
Aims to make epic drama of Algeria's battle for independence, but there are moments when you would swear you're watching a "Godfather" knockoff.- San Francisco Chronicle
- Posted Feb 10, 2011
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- Walter Addiego
Some of the movie probably will mystify viewers not steeped in Middle Eastern history and culture, but a good deal of the humor can be appreciated by anybody.- San Francisco Chronicle
- Posted Feb 3, 2011
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- Walter Addiego
Rao avoids high drama, and while there is humor, the film's tone is one of melancholy.- San Francisco Chronicle
- Posted Jan 20, 2011
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- Walter Addiego
A captivating mix of formality, ambiguity and offbeat humor. On the surface a simple fable, it's actually much more.- San Francisco Chronicle
- Posted Jan 6, 2011
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- Walter Addiego
The entertaining work by Spacey and Pepper is a good thing because the film has problems, including an utter lack of subtlety.- San Francisco Chronicle
- Posted Dec 22, 2010
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- San Francisco Chronicle
- Posted Dec 16, 2010
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- Walter Addiego
Waste Land is a film about recycling, but it's far more intriguing than the average eco-documentary.- San Francisco Chronicle
- Posted Dec 12, 2010
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- Walter Addiego
Overall, this is a nice introduction to an amiably dour tunesmith who once wrote that "all art aspires to the condition of Top 40 bubblegum pop."- San Francisco Chronicle
- Posted Dec 11, 2010
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- Walter Addiego
This is compelling stuff, but Lilien is less successful in trying to link Pale Male's story to his own.- San Francisco Chronicle
- Posted Dec 11, 2010
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- Walter Addiego
Mocking Tinseltown is a pretty exhausted subject, and even Jaglom, a genuine insider, has a hard time making it fresh.- San Francisco Chronicle
- Posted Dec 9, 2010
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- Walter Addiego
If you have even a passing interest in outsider art, you owe it to yourself to see Marwencol.- San Francisco Chronicle
- Posted Dec 7, 2010
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- Walter Addiego
While the film adopts a sometimes jaunty tone, the fact is that gerrymandering is bad news, assuming you believe that elections should mean something.- San Francisco Chronicle
- Posted Oct 21, 2010
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- Walter Addiego
Director Troy Miller, making his feature debut, does a decent job with schmaltzy material.- San Francisco Examiner
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- Walter Addiego
It's no great shakes as a film, but its combination of mild comedy, slapstick, pathos, many photogenic canines and a positive message will make it irresistible to families.- San Francisco Chronicle
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