V.A. Musetto
Select another critic »For 1,284 reviews, this critic has graded:
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49% higher than the average critic
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3% same as the average critic
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48% lower than the average critic
On average, this critic grades 2.9 points lower than other critics.
(0-100 point scale)
V.A. Musetto's Scores
- Movies
- TV
| Average review score: | 63 | |
|---|---|---|
| Highest review score: | Lorna's Silence | |
| Lowest review score: | Controlled Chaos | |
Score distribution:
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Positive: 834 out of 1284
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Mixed: 254 out of 1284
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Negative: 196 out of 1284
1284
movie
reviews
- By Date
- By Critic Score
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- V.A. Musetto
In the end, inner peace is found by all - on screen and in the audience.- New York Post
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- V.A. Musetto
As evident from The Brown Bunny and his directing debut, "Buffalo 66," Gallo is talented, although in an unconventional way. Call him an angry young man with a future.- New York Post
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- New York Post
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- V.A. Musetto
You're either going to love this film and run out to see everything Majewski has directed, or you're going to be bored silly. I'm hoping for the former.- New York Post
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- V.A. Musetto
The movie, directed by Mick Jackson, leaves no cliché unturned, from the predictable plot to the characters straight out of central casting.- New York Post
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- V.A. Musetto
The film's violent finale comes out of nowhere and will leave bewildered viewers wondering if they might have dozed off for a reel or two.- New York Post
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- V.A. Musetto
Mesrine's gentler side is explored, too, as he gets caught up with women portrayed by two of France's leading actresses, Ludivine Sagnier and Cecile de France.- New York Post
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- V.A. Musetto
Mostly The Matador romanticizes a brutal tradition that has no place in the 21st century.- New York Post
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- V.A. Musetto
The writing, acting and direction are so amateurish that the only thing you'll care about is escaping the theater.- New York Post
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- V.A. Musetto
The show works pretty much the same as "Idol" does, with Afghans voting by cellphone for their favorite performers. But this is Afghanistan, where the Taliban still has power, not America.- New York Post
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- V.A. Musetto
Less an adventure yarn than a character study of two old guys with fading memories and improbable dreams.- New York Post
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- V.A. Musetto
Hard Goodbyes could easily have been maudlin, but isn't. Credit an adult script and realistic acting, especially by Giorgos Karayannis as Elias.- New York Post
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- V.A. Musetto
Wolman gets his point across, but he does so in such a predictable, contrived and sappy manner that viewers aren't likely to care. And the final plot twist is a cop-out.- New York Post
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- New York Post
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- V.A. Musetto
One way to judge a filmmaker is by the way he or she directs children. Take Tze Chun and his impressive first feature, Children of Invention.- New York Post
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- V.A. Musetto
Of historical interest, although a more experienced filmmaker would have made more of the sudden rush of events - and avoided the temptation to put himself or herself into nearly every frame, as Grappell does.- New York Post
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- V.A. Musetto
The director is, you won't be surprised to learn, Tsai Ming-laing, whose deadpan humor and minimalist lensing has made him a god among film geeks.- New York Post
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- V.A. Musetto
The 34-year-old Meadows has assembled an effective cast, especially newcomer Thomas Turgoose as Shaun and veteran Stephen Graham as Combo.- New York Post
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- V.A. Musetto
There are many new Japanese movies that deserve a stateside release. Why this hapless mess beat them out is a question that deserves an answer.- New York Post
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- V.A. Musetto
Daniele Cipri's highly stylized lensing and Carlo Crivelli's bold score add to the movie's flamboyant aura. But then, the story of a bombastic dictator deserves a bombastic telling.- New York Post
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- V.A. Musetto
There is much opportunity to turn the film into a soaper, but Hansen-Love resists.- New York Post
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- V.A. Musetto
Sparse of plot, Iron Island is visually rich, thanks to cinematographer Reza Jalai. The final scene is especially stunning.- New York Post
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- V.A. Musetto
Doesn't always succeed -- the premise is hard to believe. Still, it's an unusual and interesting piece of filmmaking.- New York Post
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- V.A. Musetto
Brisseau obviously aims to shock - and he does. Now shocking is A-OK with me - but only if it's part of a something bigger. Exterminating Angels is beautifully lensed and acted, but it lacks substance.- New York Post
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- V.A. Musetto
Doesn't have the crossover appeal of the Mexican sexcapade "Y Tu Mama Tambien," but it does herald the arrival of an audacious young filmmaker. We can't wait to see what he does next.- New York Post
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- New York Post
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- V.A. Musetto
Plays like a bad daytime soap opera. The acting is amateurish. Ditto the uninspired script (continuity? what's that?) and direction.- New York Post
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- V.A. Musetto
Gronkjaer's cinematography is pleasing, with beautiful sunsets and tranquil snowscapes. I won't give away the ending, but it might bring a tear to your eye.- New York Post
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- V.A. Musetto
What made Ludwig such a great musician? The documentary In Search of Beethoven, directed by Phil Grabsky, answers that question reasonably well.- New York Post
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- New York Post
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