Tony Hinds

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The Film Stage
For 17 reviews, this critic has graded:
  • 29% higher than the average critic
  • 0% same as the average critic
  • 71% lower than the average critic
On average, this critic grades 5.9 points lower than other critics. (0-100 point scale)

Tony Hinds' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 91 Sisters
Lowest review score: 16 Kickboxer: Vengeance
Score distribution:
  1. Positive: 8 out of 17
  2. Mixed: 7 out of 17
  3. Negative: 2 out of 17
17 movie reviews
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    • 58 Metascore
    • 67 Tony Hinds
    Outrage Coda
    Outrage Coda is not a great film, nor an essential one, but it accomplishes what it sets out to with gallows humor and a deeply cine-literate style.
    • 74 Metascore
    • 67 Tony Hinds
    78/52: Hitchcock’s Shower Scene
    Too often, we’re left with an arguably less-than-great artist (Eli Roth? Mick Garris?) in talking head form, blandly praising Hitchcock’s work. 78/52 is at its best when the shower is running and we’re engaged with the making of this notorious murder scene.
    • 80 Metascore
    • 83 Tony Hinds
    The Force
    The Force examines one of the most talked about issues in America from an ideal vantage point, revealing disheartening complexities with an intriguing momentum.
    • 66 Metascore
    • 83 Tony Hinds
    By Sidney Lumet
    By Sidney Lumet provides audiences unfamiliar with his work a window into the heart and mind of one of the most important filmmakers of all-time.
    • 90 Metascore
    • 75 Tony Hinds
    I Called Him Morgan
    I Called Him Morgan hooks you from the first moments and glides effortlessly toward an emotionally impacting and enigmatic conclusion.
    • 77 Metascore
    • 83 Tony Hinds
    Miss Sharon Jones!
    Kopple’s camera catches fascinating snapshots of Sharon Jones at her most charismatic and alive, a true artist who cannot help but see the world differently.
    • 65 Metascore
    • 67 Tony Hinds
    The Confirmation
    Nelson’s screenwriting voice is unpretentious, approaching earnestly grounded characters with a deliberate lack of sentimentality.
    • 70 Metascore
    • 91 Tony Hinds
    Sisters
    Brian De Palma‘s shocking exploitation gut-punch, Sisters, is a perfectly orchestrated exercise in style, a staging of some of the finest suspense sequences since Alfred Hitchcock was above ground.

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