Tom Russo
Select another critic »For 366 reviews, this critic has graded:
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55% higher than the average critic
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3% same as the average critic
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42% lower than the average critic
On average, this critic grades 7.4 points lower than other critics.
(0-100 point scale)
Tom Russo's Scores
- Movies
- TV
| Average review score: | 58 | |
|---|---|---|
| Highest review score: | Richard III | |
| Lowest review score: | The Food of the Gods | |
Score distribution:
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Positive: 200 out of 366
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Mixed: 113 out of 366
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Negative: 53 out of 366
366
movie
reviews
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- Tom Russo
Wirkola tears through Hansel & Gretel: Witch Hunters with such giddy abandon, it ends up being splattery fanboy fun. Preposterous, clearly, but fun.- Boston Globe
- Posted Jan 27, 2013
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- Tom Russo
Fresh or not, creatively merited or not, here it comes: the third installment of Martin Lawrence's big, dopey franchise.- Boston Globe
- Posted Feb 19, 2011
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- Tom Russo
In the end, it’s hard to remember another action entry that expends so much energy on frenetic blacktop choreography and attention-deficit editing with so little to show for it.- Boston Globe
- Posted Aug 29, 2013
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- Tom Russo
By the time the giant, snarling spider shows up - the most boggling of the movie's various "holy schnitzel" touches - parents of the littlest "Hoodwinked" fans may be feeling hoodwinked themselves.- Boston Globe
- Posted Apr 28, 2011
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- Tom Russo
H.G. Wells's tale of nature's little critters turned steroidal gets cheesy screen treatment from director Bert I. Gordon, a veteran of the ginormous creature genre of the '50s. [09 Sep 2007, p.N32]- Boston Globe
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- Tom Russo
Not that there’s all manner of comedy craftsmanship demanding study here, but the movie does seem to be a funny jumble of contradictory impulses.- Boston Globe
- Posted Apr 15, 2013
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- Tom Russo
Never thought we'd say this about a movie, but Bucky Larson probably doesn't wring as much out of recurring bodily-fluid gags as it could.- Boston Globe
- Posted Sep 10, 2011
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- Tom Russo
There's no gore in Campillo's tale, just a group of emotionally remote but otherwise seemingly healthy undead who inexplicably wander back into the world a world unsure how to reassimilate them, be it in the workplace or more intimate fronts. The complications he imagines are achingly smart; witness the grieving parents feeling even further despair at the realization that their returned little boy isn't truly all there. The film does, ultimately, lack closure, but maybe that's part of the point. [26 June 2005]- Boston Globe