Tom Jorgensen

Ready or Not 2: Here I Come is an agreeable, if unnecessary sequel which, through its larger scale, proves that less is often more.

Scream 7 packs in plenty of satisfying slasher action, and may even bring some lapsed fans back into the fold by focusing down the scope of that action after Scream 6, but the new ideas it does bring to the table are either too thin to fully explore or ill-advised enough to detract from the success the movie does find in playing the hits, the deep cuts, and the killer tracks.

Effectively moody, but disjointed and over-reliant on played-out horror audio gags, Undertone sounds better in concept than it plays on screen.

It’s disappointing to see a triad of talented actors like Denzel Washington, Rami Malek, and Jared Leto wasted in The Little Things, a straightforward and seldom surprising murder-mystery.

Captain America: Brave New World feels neither brave, nor all that new.

An underwhelming lead-up to the series finale, Fast X's only real redeeming quality is Jason Momoa's bonkers performance as the villain.

While it has an interesting hook, Chaos Walking never capitalizes on its premise or the promise offered by its cast.

Though visually engaging, Malignant can’t overcome the genre identity crisis at its core.

Transformers One’s strong central friendship – and a great Brian Tyree Henry performance – aside, this animated origin story could have used some major transforming before rolling out.

Like a human turned into a creature of the night, Salem’s Lot kicks off with a strong sense of identity that slowly gives way to mindless vampire nonsense.

Ghostbusters: Frozen Kingdom’s tiresome, bloated plot and expansive roster of characters will leave you out in the cold.