Tom Huddleston

Select another critic »
For 348 reviews, this critic has graded:
  • 43% higher than the average critic
  • 5% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Tom Huddleston's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Dark Days
Lowest review score: 20 Percy Jackson: Sea of Monsters
Score distribution:
  1. Negative: 17 out of 348
348 movie reviews
    • 84 Metascore
    • 60 Tom Huddleston
    The supporting cast is flawless, with a special mention owed to Brad Dourif as poor, doomed Billy Bibbit. But the script lacks the woozy, otherworldly subtlety of Kesey’s book, relying instead on pop psychology and finger-pointing: once again, it turns out women are to blame for pretty much everything.
    • 66 Metascore
    • 60 Tom Huddleston
    Using home-video footage and talking-head interviews, Dinosaur 13 dramatically depicts the thrill of archaeological discovery. But the overbearing soundtrack and shots of weeping palaeontologists do feel a touch manipulative.
    • 72 Metascore
    • 60 Tom Huddleston
    The film can feel truncated, as if only a longer film or TV series could do proper justice to the details of the story. But it’s a sensitive and moving tale nonetheless.
    • 63 Metascore
    • 60 Tom Huddleston
    Folman’s vision is just too personal and obtuse, and the result can feel rather like watching someone else drop acid, enjoying their giddy descriptions of all the pretty colours but unable to fully engage.
    • 88 Metascore
    • 60 Tom Huddleston
    A film with a fistful of memorable moments—most of them involving Bridges hurling insults at people—but not a great deal new to say.
    • 54 Metascore
    • 60 Tom Huddleston
    Riz Ahmed is superb as Changez (pronounced Chan-Gez, not like the Bowie song),
    • 58 Metascore
    • 60 Tom Huddleston
    It’s a wild, at times exhilarating watch – but an exhausting one.
    • 66 Metascore
    • 60 Tom Huddleston
    If you’re a fan of the classic streets-to-stardom formula, this is a solid rendition.
    • 81 Metascore
    • 60 Tom Huddleston
    It’s disappointing when Starred Up begins to lapse into soapy cliché.
    • tbd Metascore
    • 60 Tom Huddleston
    The plotting may be a little ropey, especially towards the end. But ‘ID2’ has smart things to say about identity and social class, and strides confidently through the minefield of British racial politics.
    • 68 Metascore
    • 60 Tom Huddleston
    This is a solid take on the material, but it could have done with a little less narrative incident and a little more cinematic sparkle.
    • 79 Metascore
    • 60 Tom Huddleston
    There’s only so many times an audience will fall for the same manipulative editing tricks. Still, with fine performances and a rich sense of place, this is a promising start.
    • 23 Metascore
    • 60 Tom Huddleston
    Asking far more questions than it could ever answer, Exposed ends on a note so flat and predictable that it undermines all that went before. But there are strange and memorable moments here, and a mood of eerie foreboding that’s hard to shake.
    • 59 Metascore
    • 60 Tom Huddleston
    The film does approach Milius with a certain reverence, but it can’t disguise the fact that he’s a troubling, divisive figure: bull-headed, almost cartoonishly macho, staunchly right-wing and dangerously self-obsessed.
    • 65 Metascore
    • 60 Tom Huddleston
    Overall, this is an enjoyable, compelling small-scale shocker.
    • 58 Metascore
    • 60 Tom Huddleston
    If you enjoy improbable plot twists, overcooked dialogue and Hollywood legends champing on scenery, this adaptation is a highly entertaining slice of American Gothic.
    • 73 Metascore
    • 60 Tom Huddleston
    The photography is starkly lovely, the slow drip of information is smartly handled and the central performances are appealingly ambiguous.
    • 57 Metascore
    • 60 Tom Huddleston
    Dante plays the early scenes perfectly, racking up the clammy dread without tipping over into outright nastiness. But somewhere along the way, the tension dissipates.
    • 62 Metascore
    • 60 Tom Huddleston
    This ridiculous, highly watchable, at points startlingly psychedelic action thriller is probably Luc Besson’s best film since ‘Léon’ (which isn’t saying a great deal).
    • 64 Metascore
    • 60 Tom Huddleston
    Greater conflict (or simply more probing interviews) might have made for a more gripping movie. But what’s here will delight anyone who dreams of living free, sleeping rough and scoffing beans around the campfire.
    • 37 Metascore
    • 60 Tom Huddleston
    This is an unambitious, old-school thriller, nothing more and nothing less.
    • 62 Metascore
    • 60 Tom Huddleston
    It’s undeniably entertaining – and worth seeing for Kingsley alone – with the misfires never fully overshadowing the moments of glory.
    • 61 Metascore
    • 60 Tom Huddleston
    This is a messy, poorly structured film, riddled with plot holes and lacking any kind of satisfying conclusion.
    • 62 Metascore
    • 60 Tom Huddleston
    It’s always fun to watch scaly, skyscraper-size behemoths lay waste to civilization, but a bit more human drama wouldn’t have gone amiss.
    • 64 Metascore
    • 60 Tom Huddleston
    Give Northern Soul its due: this feisty, frequently amusing chronicle of one young man’s journey through the dancehalls of Lancashire nails its time and place.... A pity, then, that the story is so tiresomely familiar.
    • 66 Metascore
    • 60 Tom Huddleston
    The film has plenty to recommend it, thanks to a string of memorable one-liners and Coogan’s unmatched knack for skin-crawling physical comedy. But this is a long way from the back-of-the-net strike it should have been.
    • 56 Metascore
    • 60 Tom Huddleston
    The chassis may be slick and speedy, but under the hood Focus lives up to its Ford-produced namesake: sturdy but not exactly stimulating.
    • 67 Metascore
    • 60 Tom Huddleston
    The sheer sense of ludicrous, punch-the-air joie de vivre is impossibly infectious.

Top Trailers