Therese Lacson

While the narrative has its cracks, the visual aesthetic and appearance of Asteroid City are completely flawless.

McGann weaves together an emotional and tragic tale in the third act, one that hits hard after following the story of these two lovers throughout the film. Mixing this with the magnificent footage of an alien underwater world, one that few of us will ever see with our own eyes, and there is a lot to like.

Okuno is certainly not showing us anything we haven't seen before, indeed these stories are all too familiar, unfortunately. But the skill is not making the horror indulgent. Julia's dread is something we feel distinctly. Monroe, someone familiar with the horror genre, is perfect as our hero who is equal parts determined and terrified.

Bolstered by a strong cast and a luscious color palette and landscape, Killers of the Flower Moon is worthy of a watch for those who can look past its romanticization. For those looking for a film that puts Native American voices and characters on center stage or a more comprehensive story, continue moving on, even with three-and-a-half hours, this is not that film.

Alberdi reminds us of the essential beauty of personal connection, and it elevates The Eternal Memory from a memoir to a glimpse into what the best humanity has to offer even in times of hopelessness or crisis.

Howard's no-frills approach to Thirteen Lives is what makes it such a success.

Eagles of the Republic's greatest strength lies in Fares Fares, who is all too convincing as a superstar actor in Egypt, striking a delicate balance between his comedic scenes and dramatic ones

Does Exit 8 work as a film on its own? Yes, it does, but it likely works best for those who've played the game before and are familiar with the concept. Otherwise, the tedious nature of the game that is duplicated in the film can feel like more of a chore than entertainment. As a lover of the game, it felt like the perfect adaptation, but, much like the game, the film isn't going to be to everyone's taste.

Alex Huston Fischer and Eleanor Wilson's romantic fantasy film is a delightful and silly tale that masquerades as a fable. Beneath the surface of its folklore-esque concept, Wicker is more an exploration of human connection, a criticism of the patriarchy, and a fun exploration of just how far one ridiculous concept can be taken.

Trier's understanding of complex family relationships and his ability to portray them honestly make this yet another win for him and a solid entry into his filmography.

River Gallo shows not only that these stories are powerful and have value, but can also be beautiful and deeply moving.

By the end of Not Alone Anymore, it's clear that Matlin is far from a star who burned too bright once, and her light has not dimmed at all. If anything, she's been working steadily and surely and despite the years of solitude, thanks to her creating the path forward, she is not alone anymore and won't ever be again.

We feel very much like we are in the thick of it when watching, as if we're in the room as the story develops.

Unfortunately, where the film falters is with its other star, the aforementioned Chris Hemsworth.

Unafraid to lean into Isla's naivete, Rankin's performance playing off both O'Rourke and Gleeson is what places her at the center of this tale and makes it worth watching.

Moving, emotional, and ultimately cathartic, Renoir is a quiet and stirring coming-of-age story that reminds us of our own childhood and the impactful time that can be.

While it's far from Lee's best, Highest 2 Lowest is an entertaining watch, and for lovers of Denzel Washington, it's a must-see.

Director Chloé Robichaud's fourth feature film is a fun and sexy romp that discusses infidelity, marriage, and being a mother in our modern age.

It is a fun romp, one that is sure to entertain audiences.

At the very least, Diamond Hands is an entertaining and informative look at a moment in time when the many overcome the few, but it doesn't land solidly enough to leave a lasting impact.

It's far from perfect, but the production design of the film and the strong backbone of actors make Cobweb an entertaining film, though not a must-see.

Its greatest strength lies in its simplicity, but that might also be where it falls flat for some.

You Won't Be Alone is overambitious, but it's always better to try to overachieve than underachieve, right?

As far as feature debuts go, Purev-Ochir delivers a solid offering, one that showcases her strengths and leans into the soul of her original short, elaborating on an intriguing concept to impressive results.

Bennett lifts the story up just like the bubbles in the veuve's own delicious champagne, showing us the brilliance in this biopic drama.

Love Me has its flaws. But the cast is endearing, the robots are cute, and if you enjoy a romance movie, you won't be disappointed in this.

The Choral offers a unique look at WWI, while struggling to maintain balance between its compelling lead and somewhat lackluster storytelling with its other subplots.

With heartfelt and emotional performances by the cast, See You When I See You is a stirring tale about survivor's guilt, grief, and reconnecting in the wake of tragedy. Though the film hits on all emotional notes, there's one crucial setback that holds back an otherwise moving story.