Steve Persall

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For 1,125 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 1.5 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Vertigo
Lowest review score: 0 The Last Airbender
Score distribution:
1125 movie reviews
    • 68 Metascore
    • 83 Steve Persall
    There's a subtle wisdom to this screenplay that complements its exceedingly bad taste, small lessons among the laughs.
    • 68 Metascore
    • 91 Steve Persall
    Despite wild deviations in spiritual themes and execution, nothing in Noah approaches sacrilege or surrender, making this an acutely sensible biblical epic. It may simply be too strange for the masses to notice.
    • 65 Metascore
    • 67 Steve Persall
    A fitfully entertaining movie in an awkward position; too arty for the action crowd yet too unsubtle for more refined tastes.
    • 67 Metascore
    • 91 Steve Persall
    Part two is even more gorgeous to behold, and deeper in substance.
    • 67 Metascore
    • 91 Steve Persall
    Robot & Frank occasionally strains for emotion and stretches credulity, even for such fantasy circumstances. But it has two hearts - one human, one not - in the right place, and intelligence that is anything but artificial.
    • 67 Metascore
    • 67 Steve Persall
    Director Dave McCary maintains a suitably goofy tone and inspired casting (Hamill, Greg Kinnear, Claire Danes) make for a pleasantly uneven experience.
    • 67 Metascore
    • 25 Steve Persall
    This is a soulless endeavor that would alarm if Ford devised it on his own. Instead, he shares blame with Austen Wright's novel Tony and Susan, adapted into parallel narratives; one empty, the other leaking blood.
    • 67 Metascore
    • 100 Steve Persall
    Like its predecessor T2 Trainspotting aggressively shocks and charms, a singular example of cinematic bravura now improbably duplicated.
    • 67 Metascore
    • 83 Steve Persall
    There are no boundaries in this movie, so deal with it or leave.
    • 67 Metascore
    • 83 Steve Persall
    Man Bites Dog is a strange, undeniably powerful hybrid of Henry: Portrait of a Serial Killer and This is Spinal Tap; a jaw-dropper that takes your breath away with its scabrous mayhem, then replaces it with an uneasy chuckle. [5 Nov 1993, p.7]
    • Tampa Bay Times
    • 67 Metascore
    • 58 Steve Persall
    Soderbergh doesn't always match his pacing to Mallory's fury.
    • 67 Metascore
    • 83 Steve Persall
    How many surprises and peaks can Walken possibly have left, after so many movies and memorable roles? Well, there's this one.
    • 59 Metascore
    • 83 Steve Persall
    For two hours it's a fun head trip.
    • 50 Metascore
    • 50 Steve Persall
    Closed Circuit is a shaggy paranoid thriller in which conversations aren't the shorthand of people who know each other but wordy exposition for those strangers in theater seats.
    • 77 Metascore
    • 83 Steve Persall
    The Gift is B-movie melodrama at its lurid finest, and worth a look.
    • 67 Metascore
    • 83 Steve Persall
    As a director, Clooney makes his most straightforward movie yet, although it's static at times due to the stage origins of Willimon's material.
    • 67 Metascore
    • 100 Steve Persall
    I adore The Perks of Being a Wallflower for its honest, unsentimental feel, which gets stretched a bit in the revelatory finale, but by then I didn't mind.
    • 67 Metascore
    • 91 Steve Persall
    A feel-good movie in the most positive meaning of that term, thanks to the Motown music and O'Dowd's cheeky charm.
    • 76 Metascore
    • 91 Steve Persall
    While the villains are standard issue evil, Wonder Woman is remarkable in the genre for its early 20th century setting and Gadot's galvanizing performance.
    • 67 Metascore
    • 100 Steve Persall
    Furious 7 is so entertaining that you don't notice Dwayne Johnson is missing from action much of the time, only that he kills it when he shows up.
    • 67 Metascore
    • 67 Steve Persall
    James Gunn's second spin with Marvel's interplanetary misfits still entertains but this time the fun feels forced. Gone is the original's scrappy underdog spirit and a director operating like it's his only chance to make a movie.
    • 67 Metascore
    • 83 Steve Persall
    The first film that comes close to capturing the Bohemian flair and everyman accents of Generation X life while remaining a first-rate piece of entertainment. Stiller and his knowing screenwriter Helen Childress fashioned a wise, very funny film that brightens the slow early going of 1994. [18 Feb 1994, p.6]
    • Tampa Bay Times
    • 44 Metascore
    • 67 Steve Persall
    Joyful Noise is a good movie when it lifts up its heart and lets people sing.
    • 34 Metascore
    • 25 Steve Persall
    What truly becomes aggravating about Zoolander 2 is its dependence upon a parade of famous people doing supremely unfunny things.
    • 67 Metascore
    • 91 Steve Persall
    In an age of digital chaos and deep emotional themes The Peanuts Movie keeps things sweet and simple, perfectly in tune with the qualities Schulz fans adore.
    • 67 Metascore
    • 67 Steve Persall
    Giamatti is a superb expressionist of emotional flotsam, with a Golden Globe for his effort.
    • 49 Metascore
    • 75 Steve Persall
    Gutt is a wonderful villain, something the franchise has lacked, and even performs an original musical number - an Ice Age first, if I'm not mistaken. Dinklage has a sinister voice, and a subtle way of expressing the character's sillier moments.
    • 67 Metascore
    • 75 Steve Persall
    Barbershop: The Next Cut's heart is in the right place, and I enjoyed nearly every unkempt minute of it.
    • 67 Metascore
    • 83 Steve Persall
    With everything it's doing all over again, The Book of Life often finds fresh ways to do it. That's all it takes.
    • 67 Metascore
    • 58 Steve Persall
    This Cinderella is achingly old-fashioned, with scant humor, a regressive heroine and godmother effects that aren't special.

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