Steve Macfarlane
Select another critic »For 113 reviews, this critic has graded:
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35% higher than the average critic
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2% same as the average critic
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63% lower than the average critic
On average, this critic grades 6.5 points lower than other critics.
(0-100 point scale)
Steve Macfarlane's Scores
- Movies
- TV
| Average review score: | 59 | |
|---|---|---|
| Highest review score: | Level Five | |
| Lowest review score: | Third Person | |
Score distribution:
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Positive: 66 out of 113
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Mixed: 18 out of 113
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Negative: 29 out of 113
113
movie
reviews
- By Date
- By Critic Score
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- Steve Macfarlane
Down to its too-crisp rubber Nixon masks, Daniel Schechter's film revels in obnoxiously self-aware period detail.- Slant Magazine
- Posted Aug 28, 2014
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- Steve Macfarlane
Jurassic World can't tell whether it wants to be junk food or not, lovingly poking fun at some Hollywood tropes while shamelessly indulging others.- Slant Magazine
- Posted Jun 10, 2015
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- Steve Macfarlane
The film's clearest winner is Pat Healy, whose depiction of a man willing to corrode his entire life to provide for his wife and kid feels true despite the script's silliest moments.- Slant Magazine
- Posted Mar 18, 2014
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- Steve Macfarlane
The film places its characters in a reflexive historical continuum that dooms them to be mere demonstrative types from start to finish.- Slant Magazine
- Posted Nov 5, 2014
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- Steve Macfarlane
The film is too standard-issue in its making to probe beyond the rough outlines of a success story.- Slant Magazine
- Posted May 15, 2014
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- Steve Macfarlane
This is a patchwork dystopia of white poverty whose facets are both difficult to deny and to prove exist precisely as depicted.- Slant Magazine
- Posted Sep 26, 2016
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- Steve Macfarlane
For American viewers who don't know, the doc will be a worthy footnote to a long bout of deliberate cultural amnesia, but it's too telling that the Vietnamese remain in the background.- Slant Magazine
- Posted Sep 2, 2014
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- Steve Macfarlane
Viewers' tolerance for Errol Morris's apparent sheepishness will hinge on their prior appreciation of the filmmaker's investigative acumen.- Slant Magazine
- Posted Mar 31, 2014
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- Steve Macfarlane
The chop-socky wire-fu scenes are beautifully choreographed, but pretty crudely edited; despite its gourmet neo-grindhouse trappings, the film won't bring the heat like you've never seen before.- Slant Magazine
- Posted Nov 1, 2012
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- Steve Macfarlane
Essentially a live-action anime, it sweats rivulets of Tarantino-era digital anxiety from all pores--every kick, punch, pan, and zoom exaggerated for maximum impact.- Slant Magazine
- Posted Oct 18, 2012
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- Steve Macfarlane
The imprint of Star Wars on everyday American life now feels so despotic that it's too much to ask a film like Solo to be moving or thrilling as a piece of cinema.- Slant Magazine
- Posted May 15, 2018
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- Steve Macfarlane
The perverse thrill of seeing less-than-popular considerations of Nazism on screen fades hurriedly to the old ache of seeing any kind of questions about Nazism answered noxiously.- Slant Magazine
- Posted Jan 16, 2014
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- Steve Macfarlane
Like Jay Roach's Game Change and Recount, the film's patina of relative apoliticism masks (or enables) its blandness of inquiry.- Slant Magazine
- Posted Nov 4, 2015
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- Steve Macfarlane
It foists its own retelling of Angela Davis's story over any contemplation of her politics, effectively neutering their power as it could apply to today in the hands of a proper film essayist.- Slant Magazine
- Posted Apr 4, 2013
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- Steve Macfarlane
The filmmakers delve into a fantasyland of luxe coastal casinos and neon-lit bathhouses--as shrug-worthy a stab at picturing the contemporary black market as could be requested.- Slant Magazine
- Posted Dec 21, 2014
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- Steve Macfarlane
The film's visual construction is spare, drawing power from its locations and quietly matted miniatures, though ultimately it succumbs to powering a series of cheap thrills.- Slant Magazine
- Posted Dec 7, 2013
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- Steve Macfarlane
It will come as a surprise to none that Grudge Match is so wantonly clichéd that to watch it is to explore the outer perimeters of one's own tolerance for a specific type of feel-good sports film.- Slant Magazine
- Posted Dec 22, 2013
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- Steve Macfarlane
The screenwriter's signature verbal-diarrhetic dialogue allows for a nonstop blaring of actorly chops that, like the movie at large, is nothing if not committed.- Slant Magazine
- Posted Oct 5, 2015
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