Stephen Holden
Select another critic »For 2,306 reviews, this critic has graded:
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50% higher than the average critic
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3% same as the average critic
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47% lower than the average critic
On average, this critic grades 6.7 points lower than other critics.
(0-100 point scale)
Stephen Holden's Scores
- Movies
- TV
| Average review score: | 59 | |
|---|---|---|
| Highest review score: | After Life | |
| Lowest review score: | Old Dogs | |
Score distribution:
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Positive: 1,039 out of 2306
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Mixed: 918 out of 2306
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Negative: 349 out of 2306
2306
movie
reviews
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- Stephen Holden
When they discover they've been made fools of, they accept this performance event with surprising equanimity. There is a lot of grumbling but no riot. They get the joke.- The New York Times
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- Stephen Holden
Because federal indictments for conspiracy to murder have yet to be handed down, the documentary is necessarily discreet about naming names and detailing its evidence. A sequel would go a long way toward solving the documentary's many unanswered questions.- The New York Times
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- Stephen Holden
In Jacir Eid’s extraordinary performance, Theeb exhibits the composure, bravery and cunning of a little savage driven by animal instinct.- The New York Times
- Posted Nov 5, 2015
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- Stephen Holden
In Ms. Irving's affectionate film, Mr. Bittner is more of a sage than a deadbeat.- The New York Times
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- Stephen Holden
The kind of movie that seduces you into becoming putty in its manipulative card-sharking hands and making you enjoy being taken in by its shameless contrivance.- The New York Times
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- The New York Times
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- Stephen Holden
Ms. Ullmann, now 65, and Mr. Josephson, 81, have a supreme mastery of the Bergman style. Their performances are spiritual and emotional X-rays.- The New York Times
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- Stephen Holden
What prevents "The Secret of Roan Inish" from evaporating into cuteness or from being smothered in mystical overkill is the director's firmly human perspective.- The New York Times
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- Stephen Holden
Together, however, they add up to a film that may be the closest movies have come to the cinematic equivalent of a collection of Chekhov short stories.- The New York Times
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- The New York Times
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- The New York Times
- Posted Nov 3, 2016
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- Stephen Holden
Like all of Mr. von Trier's films, The Boss of It All is a cold, misanthropic work that places no faith in institutions and in humanity itself. But it's also very funny.- The New York Times
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- Stephen Holden
Bigger, Stronger, Faster* left me convinced that the steroid scandals will abate as the drugs are reluctantly accepted as inevitable products of a continuing revolution in biotechnology. Replaceable body parts, plastic surgery, anti-depressants, Viagra and steroids are just a few of the technological advancements in a never-ending drive to make the species superhuman.- The New York Times
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- Stephen Holden
The appeal of The Wendell Baker Story depends on how charming you find the Wilson brothers, with their chipmunk grins and hip smart-aleck attitude. For my taste, a little goes a long way.- The New York Times
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- The New York Times
- Posted May 9, 2013
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- The New York Times
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- Stephen Holden
Although the movie, adapted from a book by Doris Pilkington Garimara, pushes emotional buttons and simplifies its true story to give it the clean narrative sweep of an extended folk ballad, it never goes dramatically overboard.- The New York Times
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- Stephen Holden
Honey, the impressive debut feature by Ms. Golino, sustains a contemplative mood with undersaturated cinematography that evokes the world as perceived through a light mist.- The New York Times
- Posted Mar 6, 2014
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- Stephen Holden
Although the screenplay by Roy Blount Jr. comes up with some potentially sidesplitting situations, the director, Howard Franklin, who shepherded Mr. Murray through the equally limp Quick Change six years ago, methodically subverts them.- The New York Times
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- The New York Times
- Posted Jan 15, 2011
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- Stephen Holden
The Last Days on Mars ultimately can’t transcend its pulpy roots.- The New York Times
- Posted Dec 5, 2013
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- Stephen Holden
Because the waves get progressively higher in Riding Giants, Stacy Peralta's historical surfing documentary, some of that thrill is sustained throughout this overlong but entertaining movie.- The New York Times
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- Stephen Holden
Focusing on the magazine and not its offshoots, the film is uproarious, not for what its many talking heads say but for its astonishing procession of brilliant, boundary-breaching illustrations and captions (augmented by some animation), many of which are as explosively funny today as they were when first published.- The New York Times
- Posted Sep 24, 2015
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- The New York Times
- Posted Jun 13, 2013
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- Stephen Holden
The movie's dramatic climax is a father-son confrontation of stunning cruelty. Although the movie stops short of outright tragedy, it is suffused with a grief born of rifts that may never be mended.- The New York Times
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- Stephen Holden
Yes, it's all terribly hokey. But once you accept the premise as a conceit that allows the director, Jean-Jacques Annaud, to offer an intimate, utopian vision of the animal kingdom, Two Brothers succeeds as an inspirational pastorale and passionate moral brief for animal rights and preservation.- The New York Times
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- Stephen Holden
The film is inspiring because it has a semi-happy ending attached to a love story.- The New York Times
- Posted Dec 26, 2012
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- Stephen Holden
There's no escaping that "Dominion" is finally an act of commercial scavenging. You may retrieve the eggshells, coffee grounds and banana peels from your trash and assemble them into a cute, novelty gift basket. But if you bend down and take a whiff, your nose is still met with the scent of garbage.- The New York Times
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- Stephen Holden
Surprisingly Rocky Balboa, is no embarrassment. Like its forerunners it goes the distance almost in spite of itself. It's all heart and no credibility except as a raw-boned fable.- The New York Times
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- The New York Times
- Posted Jul 1, 2011
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