Staff [Not Credited]

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USA Today
For 84 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Staff [Not Credited]'s Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boogie Nights
Lowest review score: 0 Idle Hands
Score distribution:
  1. Positive: 45 out of 84
  2. Mixed: 18 out of 84
  3. Negative: 21 out of 84
84 movie reviews
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    • 78 Metascore
    • 100 Staff [Not Credited]
    Apollo 13
    "The Right Stuff" will endure as the more ambitious movie, but this book-faithful, 2-hour team effort shrewdly keeps its eye on the ball.
    • 82 Metascore
    • 100 Staff [Not Credited]
    One Day in September
    Comprehensive and blisteringly paced.
    • 86 Metascore
    • 100 Staff [Not Credited]
    Boogie Nights
    With its ceaseless music, large canvas, shrewd casting and flawless ensemble acting and the dexterity of its whiplashing mood switches, the movie recalls Robert Altman's "Nashville" more than any subsequent movie has.
    • 74 Metascore
    • 88 Staff [Not Credited]
    East Is East
    A robust family comedy that saves its wildest moments for a climactic "get-together."
    • USA Today
    • 69 Metascore
    • 88 Staff [Not Credited]
    Starter for 10
    Despite its awkward title, Starter for 10 is a winning coming-of-age tale told with grace and charm.
    • 85 Metascore
    • 88 Staff [Not Credited]
    You Can Count on Me
    The best drama you've seen about Anytown, USA, since "American Beauty."
    • USA Today
    • 79 Metascore
    • 88 Staff [Not Credited]
    Selma
    A deeply moving film, it's a powerful reminder of a time not so long ago when, for a large group of Americans, attempting to register to vote could result in a serious threat to their lives.
    • 78 Metascore
    • 88 Staff [Not Credited]
    The House of Mirth
    Terence Davies' deliberately paced, earnest adaptation of Edith Wharton's breakthrough novel quietly captures the grim complexities of New York's social world nearly a century ago.
    • USA Today
    • 75 Metascore
    • 88 Staff [Not Credited]
    The Life and Times of Hank Greenberg
    A model of what a largely talking-heads documentary should be, with on-camera testimonials and lots of film clips that offer layers of context.
    • USA Today
    • 73 Metascore
    • 88 Staff [Not Credited]
    Erin Brockovich
    A first-rate office comedy of prickly exchanges.
    • 52 Metascore
    • 88 Staff [Not Credited]
    Cotton Mary
    Increasingly piquant tale of culture clash in 1954 post-independence India.
    • USA Today
    • 79 Metascore
    • 88 Staff [Not Credited]
    Trolösa
    The sometimes fatiguing slow flow in hour one is worth the labor because the power in this 2-hour triumph reveals itself gradually.
    • USA Today
    • 66 Metascore
    • 88 Staff [Not Credited]
    Something's Gotta Give
    But let's not mislead about acting gold: Without Nicholson and Keaton, the movie would be fair. With them, it's one of the few good romantic comedies this year. What we gotta give is thanks.
    • 70 Metascore
    • 75 Staff [Not Credited]
    The Barbarian Invasions
    Despite a slight tendency to be overly pleased with itself, this is a smart piece of work that got Arcand's screenplay an award at Cannes.
    • 62 Metascore
    • 75 Staff [Not Credited]
    Saving Grace
    Though not quite up to "The Full Monty" or "Waking Ned Devine," there's just enough left in that overseas whimsy stockpile to generate good buzz (the word-of-mouth moviegoer kind).
    • 81 Metascore
    • 75 Staff [Not Credited]
    Get Shorty
    Though it sounds like a blueprint for either disaster or dynamite, the movie is a bit too controlled to be either.
    • USA Today
    • 74 Metascore
    • 75 Staff [Not Credited]
    Wonder Boys
    Droll mild amusement.
    • 87 Metascore
    • 75 Staff [Not Credited]
    Shine
    Shine has a story to reckon with and powerhouse male performances.
    • 43 Metascore
    • 75 Staff [Not Credited]
    Light It Up
    A tough little hostage thriller with crackling dialogue, surprising intelligence and an emotional wallop.
    • 32 Metascore
    • 75 Staff [Not Credited]
    Play It to the Bone
    Another invigorating, extremely raunchy sports movie from Ron Shelton .
    • 70 Metascore
    • 75 Staff [Not Credited]
    The Tao of Steve
    This quirky, winning sleeper from first-time director Jenniphr Goodman has its pokey moments, but it's no insult to say that it is as pleasantly easygoing as its slacker hero.
    • 48 Metascore
    • 75 Staff [Not Credited]
    Brother Bear
    A sweet celebration of brotherhood in its many forms. It gently encourages human communion with animals, nature and our fellow man.
    • 73 Metascore
    • 75 Staff [Not Credited]
    Beyond the Mat
    The match winners and losers may be preordained, but these modern-day gladiators bleed plenty of real blood.
    • USA Today
    • 80 Metascore
    • 75 Staff [Not Credited]
    The Color of Paradise
    Seductively pastoral but also a bit slight, the movie saves its best scene for the very end.
    • USA Today
    • 81 Metascore
    • 75 Staff [Not Credited]
    Il Postino: The Postman
    The Postman (Il Postino) is slight, but it's tough to imagine anyone not liking it.
    • 46 Metascore
    • 75 Staff [Not Credited]
    Miss Julie
    August Strindberg's psychological drama of erotic class conflict gets a bracing, claustrophobic workout from director Mike Figgis.
    • 68 Metascore
    • 63 Staff [Not Credited]
    Ghost Dog: The Way of the Samurai
    The movie is still too solemn.
    • USA Today
    • 42 Metascore
    • 63 Staff [Not Credited]
    Alex Rider: Operation Stormbreaker
    Though the film is not terribly original (and features a jarringly miscast Alicia Silverstone as Alex's nanny), the action scenes are diverting, the veteran cast is amusing and the engaging Pettyfer makes a solid debut.
    • 47 Metascore
    • 63 Staff [Not Credited]
    The Guru
    Agreeable and slipshod in equal fashion, The Guru illustrates the subtle distinction between stupidity and goofiness.
    • 69 Metascore
    • 63 Staff [Not Credited]
    Predestination
    This intriguing and well-acted gender-bending story occasionally feels like "The Crying Game" meets "Looper."
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