Staff [Not Credited]

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USA Today
For 84 reviews, this critic has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Staff [Not Credited]'s Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boogie Nights
Lowest review score: 0 Idle Hands
Score distribution:
  1. Positive: 45 out of 84
  2. Mixed: 18 out of 84
  3. Negative: 21 out of 84
84 movie reviews
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per page
    • 73 Metascore
    • 75 Staff [Not Credited]
    Beyond the Mat
    The match winners and losers may be preordained, but these modern-day gladiators bleed plenty of real blood.
    • USA Today
    • 14 Metascore
    • 25 Staff [Not Credited]
    Dungeons & Dragons
    Worst of all, Marlon Wayans' performance as a cowardly thief would have seemed in bad taste a half-century ago.
    • USA Today
    • 70 Metascore
    • 50 Staff [Not Credited]
    Galaxy Quest
    Skirts dangerously close to being the thing it parodies: a second-rate space opera.
    • USA Today
    • 79 Metascore
    • 88 Staff [Not Credited]
    Trolösa
    The sometimes fatiguing slow flow in hour one is worth the labor because the power in this 2-hour triumph reveals itself gradually.
    • USA Today
    • 23 Metascore
    • 38 Staff [Not Credited]
    Love Stinks
    Love Stinks is what bad network TV comedy would be like if there were no censorship and less talent.
    • 56 Metascore
    • 63 Staff [Not Credited]
    An Everlasting Piece
    This wee trinket of a comedy, one of the more offbeat stabs at capturing the absurdity of the religious and political strife in Ireland, is for those who like their Guinness with a shot of wry.
    • USA Today
    • 41 Metascore
    • 63 Staff [Not Credited]
    Mallrats
    The slapstick would put Curly and Moe to shame. The raunch is crude as often as it is clever.
    • 36 Metascore
    • 38 Staff [Not Credited]
    Body Shots
    Audiences everywhere will tune out long before the projector does.
    • USA Today
    • 80 Metascore
    • 75 Staff [Not Credited]
    The Color of Paradise
    Seductively pastoral but also a bit slight, the movie saves its best scene for the very end.
    • USA Today
    • 81 Metascore
    • 75 Staff [Not Credited]
    Il Postino: The Postman
    The Postman (Il Postino) is slight, but it's tough to imagine anyone not liking it.
    • 41 Metascore
    • 50 Staff [Not Credited]
    Simpatico
    It's an awkward jumble whose only value is as a forum for movie junkies to track the progress of half-a-dozen screen careers at once.
    • 86 Metascore
    • 100 Staff [Not Credited]
    Boogie Nights
    With its ceaseless music, large canvas, shrewd casting and flawless ensemble acting and the dexterity of its whiplashing mood switches, the movie recalls Robert Altman's "Nashville" more than any subsequent movie has.
    • 11 Metascore
    • 38 Staff [Not Credited]
    3 Strikes
    Interspersed between the misogyny and flatulence jokes apparently left over from Pooh's co-written script for "Friday," there's a story about an ex-con.
    • USA Today
    • 44 Metascore
    • 38 Staff [Not Credited]
    The Caveman's Valentine
    Calling a cave of rocks home while spouting invective worthy of the Juilliard attendee he once was, homeless-by-choice Samuel L. Jackson worms his way into one of the least compelling mysteries in years.
    • USA Today
    • 62 Metascore
    • 50 Staff [Not Credited]
    Rugrats in Paris: The Movie - Rugrats II
    Great movies are sometimes described as filet mignon or champagne, but this one is more like a pacifier.
    • 30 Metascore
    • 25 Staff [Not Credited]
    The Art of War
    Director Christian Duguay's gimmicky "thriller" demonstrates that he has not begun to master the art of suspense.
    • USA Today
    • 46 Metascore
    • 75 Staff [Not Credited]
    Miss Julie
    August Strindberg's psychological drama of erotic class conflict gets a bracing, claustrophobic workout from director Mike Figgis.
    • 45 Metascore
    • 63 Staff [Not Credited]
    Where in the World Is Osama Bin Laden?
    Though entertaining, Spurlock's lighthearted approach doesn't work as well here.
    • 52 Metascore
    • 50 Staff [Not Credited]
    Race to Witch Mountain
    Mediocre family fare that's simply not that much fun.
    • 49 Metascore
    • 63 Staff [Not Credited]
    Where the Money Is
    Easygoing and easy to take, the movie isn't much.
    • 66 Metascore
    • 88 Staff [Not Credited]
    Something's Gotta Give
    But let's not mislead about acting gold: Without Nicholson and Keaton, the movie would be fair. With them, it's one of the few good romantic comedies this year. What we gotta give is thanks.
    • 55 Metascore
    • 50 Staff [Not Credited]
    The Last Samurai
    Never recovers from its failure to grip or engage in the early going.
    • 55 Metascore
    • 63 Staff [Not Credited]
    Injeong sajeong bol geot eobtda
    The script's clichés have nowhere to hide.
    • 53 Metascore
    • 63 Staff [Not Credited]
    The Big Tease
    Pleasing piffle.
    • USA Today
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