Shaina Weatherhead

Sarah Friedland's directorial debut is a visually striking but shallow exploration of dementia.

If you come solely for the comedic stylings of four powerhouse actors, Mountainhead will certainly win you over if you don't take it too seriously. But should you expect a scathing takedown of Big Tech's best and brightest, the movie will act largely as a reminder that watching a bunch of rich guys spout off ignorant crap inevitably gets old and adds nothing to the conversation.

Overall, The Electric State doesn’t hold a candle to any of its esteemed cast’s other films, but impressive visual effects and great music help it from being a totally pointless foray into the wasteland.

Renner lands as a forgettable and tedious watch, made worthwhile only by surprisingly dynamic performances from the small ensemble cast.

While the unique shooting style and the talents of Dynevor and Ifans should have set the film up for success, the underdeveloped characters and underwhelming twists render Inheritance a tedious watch rather than a gripping espionage action flick.

Don’t Move is a tense but ultimately forgettable experience that will likely leave you — much like its protagonist — staring tiredly, and blankly ahead.

Sarah Paulson breathes life into a so-so script, but the film's slow pace and lack of strong horror hold it back.

While All of You features powerhouse performances from Brett Goldstein and Imogen Poots and some sharp, witty writing from Bridges and Goldstein himself, the film aims high but lacks clear stakes, making this love story difficult to invest in, with underwhelming sci-fi further muddling the heartrending, but ultimately unfulfilling romance.