Sean Axmaker
Select another critic »For 886 reviews, this critic has graded:
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68% higher than the average critic
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3% same as the average critic
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29% lower than the average critic
On average, this critic grades 1.2 points higher than other critics.
(0-100 point scale)
Sean Axmaker's Scores
- Movies
- TV
| Average review score: | 67 | |
|---|---|---|
| Highest review score: | Emitaï | |
| Lowest review score: | Urban Legends: Final Cut | |
Score distribution:
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Positive: 534 out of 886
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Mixed: 299 out of 886
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Negative: 53 out of 886
886
movie
reviews
- By Date
- By Critic Score
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- Sean Axmaker
The sudden turns of temperament are a treat after the smart-ass attitude of American horror flicks, and the film is full of minor surprises, squirming in unexpected directions without leaving the conventions behind.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Sean Axmaker
Mehta's feisty, featherweight romantic comedy makes the case that even the most flamboyant cinematic conventions are as universal as they are exotic, especially when they conspire to produce that glow of happily ever after.- Seattle Post-Intelligencer
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- Sean Axmaker
A film more textural than narrative, it's for viewers willing to lose themselves in a truly sensual jungle experience.- Seattle Post-Intelligencer
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- Sean Axmaker
It's a volatile subject and Abu-Assad's thoughtful thriller stokes the debate.- Seattle Post-Intelligencer
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- Sean Axmaker
Ultimately the ballet performances, and notably the work of Stiefel, a star with American Ballet Theatre, are the only moments that deserve center stage.- Seattle Post-Intelligencer
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- Sean Axmaker
Despite the raw gut-punch of its direction, its power lies in compassion, not sensationalism.- Seattle Post-Intelligencer
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- Sean Axmaker
It's a big enough film to hold all the contradictions. Green has an ego and a gift for stealing the spotlight with a wink and a grin. Yet his respect for the kids is genuine.- Seattle Post-Intelligencer
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- Sean Axmaker
Faced with an artist defined more by his lyrics than his life story, Haynes delivers a song-cycle of a movie: vivid, exaggerated, contradictory impressions of a man who confounds a culture still looking to define him.- Seattle Post-Intelligencer
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- Sean Axmaker
Movie magic is only as powerful as the imagination that casts it. Japanese master Hayao Miyazaki's imagination is the most creative in animated filmmaking.- Seattle Post-Intelligencer
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- Sean Axmaker
Olivier Dahan's sprawling portrait of the life of Edith Piaf is the kind of grand, passionate historical drama that no one seems to be able to pull off any more.- Seattle Post-Intelligencer
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- Sean Axmaker
Played by Lucy Russell with a defiant, unapologetic embrace of aristocratic privilege, Grace is a maddening yet fascinating character.- Seattle Post-Intelligencer
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- Sean Axmaker
This collision of skate punk and pop-culture archaeology is the most entertaining slice of cultural history I've seen in years.- Seattle Post-Intelligencer
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- Sean Axmaker
Even if you don't like the stories, the filmmakers seem incapable of finding a corner of Paris that is not photogenic.- Seattle Post-Intelligencer
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- Sean Axmaker
Perhaps the most ingeniously imaginative element in Son of Rambow, a film exploding with imagination (some of it scrawled directly over the film in animated expressions of Will's private world), is its very conceit.- Seattle Post-Intelligencer
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- Sean Axmaker
There's a real gee-whiz kick to the fantasy of being the brainiest kid on the planet, and a down-to-earth quality to Jimmy and his not-so-bright, but ever-so-stalwart best buddies.- Seattle Post-Intelligencer
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- Sean Axmaker
Explores cloudy, discomforting realities of the Holocaust not usually addressed in such films.- Seattle Post-Intelligencer
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- Sean Axmaker
He's (Carrey) a marvelous Grinch in this spirited, bustling and mostly faithful spin on Seuss.- Seattle Post-Intelligencer
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- Sean Axmaker
Deftly weaves history, film and memory into an imaginative meditation on why the movies become a part of our lives.- Seattle Post-Intelligencer
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- Sean Axmaker
In the world of comic-book movies, American Splendor is the real deal, the warts-and-all adventures of the most unlikely hero on the comic stands.- Seattle Post-Intelligencer
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- Sean Axmaker
A beautiful and compassionate work, at once stark, sensory and spiritually grasping, that challenges us to forgive even the most monstrous sins.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Sean Axmaker
Winterbottom's compassion transforms In This World from a political statement into an eloquent and involving human drama.- Seattle Post-Intelligencer
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- Sean Axmaker
What gives the story resonance is the tenderness and sacrifice and even innocence del Toro reveals amid the savagery.- Seattle Post-Intelligencer
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- Sean Axmaker
Joaquin Phoenix is as good as he has ever been in James Gray's Two Lovers, a discomfortingly honest drama about the frustrations of love and desire.- Seattle Post-Intelligencer
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- Sean Axmaker
Long for an animated feature and too demanding for very young children, but it's also filled with delights.- Seattle Post-Intelligencer
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- Sean Axmaker
Shooting with a respectful remove that captures an intimacy by sheer doggedness, Finkiel creates a rich atmosphere by simply looking, listening and peering past the surfaces.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Sean Axmaker
Beautifully observed tale of high-school kids in the projects outside Paris.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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