For 128 reviews, this critic has graded:
  • 57% higher than the average critic
  • 1% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 9.8 points lower than other critics. (0-100 point scale)

Scott Bowles' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Waiting for 'Superman'
Lowest review score: 12 Jack and Jill
Score distribution:
  1. Positive: 59 out of 128
  2. Negative: 33 out of 128
128 movie reviews
    • 51 Metascore
    • 63 Scott Bowles
    Leave it to a wimpy kid to show Hollywood how to make a family movie with live people in it.
    • 33 Metascore
    • 50 Scott Bowles
    You've never seen a movie like Sucker Punch. And depending on your entertainment preferences, you may not want to.
    • 57 Metascore
    • 63 Scott Bowles
    Where Paul takes off is in its embrace and knowledge of sci-fi icons.
    • 37 Metascore
    • 50 Scott Bowles
    You have to give director Jonathan Liebesman some points for sparing no shell casings or standing buildings to hustle us through the film's languorous two hours.
    • 36 Metascore
    • 50 Scott Bowles
    Four is so cobbled with bits of other sci-fi and comic-book movies, there's little to distinguish it.
    • 52 Metascore
    • 50 Scott Bowles
    Never works as a gum-snapper concert movie and does provide a glimpse into instant stardom in the Twitter generation.
    • 55 Metascore
    • 38 Scott Bowles
    What it became was bad. A movie that hopes to blend "Lethal Weapon" with "Gladiator" winds up not being a fraction of either.
    • 33 Metascore
    • 63 Scott Bowles
    For added heehaws, the normally dependable Nick Swardson comes along to act the ass and delve into some of Sandler's more nuanced scatological humor.
    • 49 Metascore
    • 63 Scott Bowles
    Brisk, brutal and unconcerned with collateral damage, The Mechanic doesn't pave much of anything new in the assassin-for-hire genre. But when it kills, it does so with style.
    • 38 Metascore
    • 50 Scott Bowles
    A flimsy, occasionally spooky demon tale.
    • 69 Metascore
    • 75 Scott Bowles
    It's simple stuff, but the movie's heart is in the right place.
    • 46 Metascore
    • 38 Scott Bowles
    Vaughn and James are likable enough, and they would have real chemistry in, say, an all-out comedy.
    • 28 Metascore
    • 50 Scott Bowles
    A mishmash of horror and history genres that's not as bad as its trailers but ultimately is dragged down by, of all things, its star.
    • 69 Metascore
    • 75 Scott Bowles
    Scott paces the film like its mechanized star: deliberately and, ultimately, with enough speed to keep its passengers satisfied.
    • 47 Metascore
    • 50 Scott Bowles
    It bristles with exuberant numbers that strain beneath the weight of cliché.
    • 65 Metascore
    • 88 Scott Bowles
    Menacing and meditative, Hallows is arguably the best installment of the planned eight-film franchise, though audiences who haven't kept up with previous chapters will be hopelessly lost.
    • 52 Metascore
    • 50 Scott Bowles
    Far-fetched is fine in most action flicks. And it would work here if Days were a straightforward police story.
    • 57 Metascore
    • 50 Scott Bowles
    This just in: Morning Glory can't decide whether to skewer the morning news or wallow in its pap.
    • 20 Metascore
    • 63 Scott Bowles
    He hasn't mastered the craft yet, but M. Night Shyamalan may be on to something with this action-movie thing.
    • 53 Metascore
    • 75 Scott Bowles
    The film is surprisingly deft and entertains at both the adult and juvenile levels. If something in Guardians catches your eye, trust your gizzard.
    • 64 Metascore
    • 63 Scott Bowles
    Jack Goes Boating won't knock you over, but it lulls you with its slow-warming heart.
    • 39 Metascore
    • 50 Scott Bowles
    For a movie with a star wrestler at the center of it, Legendary doesn't pack much of a punch.
    • 69 Metascore
    • 50 Scott Bowles
    Just as its characters need a reason to live, Go needs a reason for audiences to watch. Neither find much satisfaction.
    • 66 Metascore
    • 38 Scott Bowles
    All this movie has in common with its ancestor are speedboats, shotguns and drug-dealing Colombians.
    • 79 Metascore
    • 88 Scott Bowles
    Let Me In is going to lure and please fans of the original; like the first, the remake is graphically violent but as tense as good horror gets.
    • 59 Metascore
    • 63 Scott Bowles
    There are plenty of strong performances, and LaBeouf does a nice job of becoming the tough-skinned pragmatist. Mulligan is as earnest as ever, and Susan Sarandon and, particularly, Frank Langella make strong cameos.
    • 81 Metascore
    • 100 Scott Bowles
    It's an apt title. As divisive as the issue has become, it's hard to deny the power of Guggenheim's lingering shots on these children, waiting on a superhero who isn't going to come.
    • 36 Metascore
    • 38 Scott Bowles
    Alpha and Omega is one of those rarities in the modern era of Hollywood animation: bad.

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