For 607 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 6.5 points lower than other critics. (0-100 point scale)

Sara Stewart's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Dolemite Is My Name
Lowest review score: 0 Would You Rather
Score distribution:
607 movie reviews
    • 53 Metascore
    • 38 Sara Stewart
    Unfortunately, his machine fails en route; way more unfortunately, he comes up very short compared to Mark Watney, the red planet-stranded astronaut played with such humor and energy by Matt Damon in last year’s “The Martian.”
    • 40 Metascore
    • 50 Sara Stewart
    This unambitious Michael Bay-produced version doesn’t seem interested in cleverness, cravenly settling for the usual generic CGI shtick.
    • 77 Metascore
    • 75 Sara Stewart
    A refreshingly positive ode to the power of the Internet to bring far-flung artists together and change lives in the process.
    • 52 Metascore
    • 50 Sara Stewart
    Mostly, though, it’s the same old story: Bad mutants versus good mutants, with the fate of us humans — mostly off-screen, disturbingly expendable — hanging in the balance.
    • 63 Metascore
    • 63 Sara Stewart
    The dark side of pregnancy and motherhood has long been fertile filmmaking terrain; this queasy, quiet horror film tips its hat, inevitably, to the genre’s standard-bearer, “Rosemary’s Baby,” but comes up a bit short.
    • 76 Metascore
    • 75 Sara Stewart
    Maggie’s Plan isn’t perfect — the threads of its plot are sometimes a little too loosely knit — but Miller’s clearly got her finger on the pulse of the New York intellectual comedy.
    • 44 Metascore
    • 50 Sara Stewart
    Too bad the film around Brody is fairly by-the-numbers, with a mean-spirited kicker that doesn’t imbue much originality to its imperiled-female plotline.
    • 65 Metascore
    • 63 Sara Stewart
    Director Ben Wheatley (“Kill List”) is masterful with arresting imagery set in a dystopian spin on the ’70s; less so with a compelling narrative.
    • 58 Metascore
    • 50 Sara Stewart
    A so-so heist movie whose dirty-cop character’s personality must have been described in the screenplay as “Nicolas Cage-esque.” Fortunately, Cage was available.
    • tbd Metascore
    • 50 Sara Stewart
    Those People also suffers, perhaps, from a lack of timing; Kuhn’s group of one-percenter millennials harkens back to early Whit Stillman or, more recently, “Gossip Girl.”

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