Sara Clements

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For 16 reviews, this critic has graded:
  • 43% higher than the average critic
  • 18% same as the average critic
  • 39% lower than the average critic
On average, this critic grades 0.6 points lower than other critics. (0-100 point scale)

Sara Clements' Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 90 The Perfect Neighbor
Lowest review score: 40 Dragonfly
Score distribution:
  1. Positive: 8 out of 16
  2. Mixed: 8 out of 16
  3. Negative: 0 out of 16
16 movie reviews
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    • 58 Metascore
    • 50 Sara Clements
    Apex
    Even in a flawed film like this, the action remains inventive.
    • 48 Metascore
    • 50 Sara Clements
    Thrash
    It provides the thrills, but leaves the audience hungry for a story with actual depth to its waters.
    • 65 Metascore
    • 60 Sara Clements
    Unidentified
    Unidentified uses the familiar framework of a murder mystery to tell a deeply political story about autonomy, visibility, and the high cost of speaking up. Even when the plot stumbles, the message never does.
    • tbd Metascore
    • 50 Sara Clements
    L'Aventura
    L’Aventura is sometimes a messy, repetitive, and frustrating watch. But that may be the point. It tests your patience like a real vacation can, which makes it feel uncannily familiar.
    • 69 Metascore
    • 40 Sara Clements
    Dragonfly
    Dragonfly could have been a gem to watch with a cup of tea on a rainy day. It has brilliantly nuanced performances and a heartwarming tone, but it doesn’t seem to trust the quiet power of its story. Instead, it’s ultimately undone by a clumsy, horrific final act. It’s a film that needed more faith in its own heart.
    • 41 Metascore
    • 50 Sara Clements
    The Woman in Cabin 10
    Despite its flaws, the cast, while underused, is a powerhouse, especially Knightley, who remains magnetic. It’s just that “The Woman in Cabin 10” never manages to transcend its setup.
    • 51 Metascore
    • 60 Sara Clements
    The Man in My Basement
    It wants to speak to the hauntings of history, the burden of Black inheritance, and the strange ways guilt manifests. But the film’s ambition often outpaces its clarity. At its best, it captures the surreal pain of being tethered to a past you never asked for. At its worst, it’s a philosophical fog.
    • 76 Metascore
    • 60 Sara Clements
    Boys Go to Jupiter
    In the end, Boys Go to Jupiter may not fully stick the landing, but it’s a bold, vibrant, and unmistakably personal work of animated cinema. It won’t be for everyone, but like any great piece of outsider art, it doesn’t try to be. Glander has created something strange and resonant, a lo-fi lullaby for the anxious and overworked who just want to be a kid again.

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