Ryan McQuade

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For 6 reviews, this critic has graded:
  • 50% higher than the average critic
  • 0% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2 points lower than other critics. (0-100 point scale)

Ryan McQuade's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Fjord
Lowest review score: 16 The Unknown
Score distribution:
  1. Positive: 3 out of 6
  2. Mixed: 2 out of 6
  3. Negative: 1 out of 6
6 movie reviews
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    • 82 Metascore
    • 100 Ryan McQuade
    Fjord
    Fjord takes the idea of “it takes a village to raise a child” and transforms it into a gripping, upsetting, brilliant examination of the confrontational times we live in.
    • 91 Metascore
    • 91 Ryan McQuade
    Teenage Sex and Death at Camp Miasma
    With Teenage Sex and Death at Camp Miasma, Jane Schoenbrun has fully formed into a definitive voice of their generation, one that perfectly blends their personality with an expert blend of humor, melancholy, and exhilaration.
    • 76 Metascore
    • 83 Ryan McQuade
    The Samurai and the Prisoner
    While not his finest film of his career (or even this year, that would be Chime), Kurosawa continues to prove himself as a vital contemporary master of the craft that explores the essential fabric of his past and present in order to understand the future that is coming.
    • 71 Metascore
    • 50 Ryan McQuade
    A Man of His Time
    A Man of His Time is a pretty standard bio-pic that is elevated by Arlaud’s excellent, subtle performance as the director’s past relative.
    • 77 Metascore
    • 42 Ryan McQuade
    Paper Tiger
    It’s an auteur-driven snoozer that showcases inconsistency across the board, and demands someone take a second pass on Gray’s screenplays moving forward.
    • 60 Metascore
    • 16 Ryan McQuade
    The Unknown
    Seydoux and Schneider, fine actors within the own right, are completely wasted, and are window dressing for one of the ineptest films made of the decade so far, that also borderlines on offensive as it wastes not only these actor’s talents, but the time of the audience watching them go through the motions for Harari’s satisfaction. As a film critic, I’ve never once walked out of a screening in my life, but The Unknown almost became that first title for me to do so as it became as pointless of an exercise I’ve seen in recent memory.

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