Ryan McQuade

Seydoux and Schneider, fine actors within the own right, are completely wasted, and are window dressing for one of the ineptest films made of the decade so far, that also borderlines on offensive as it wastes not only these actor’s talents, but the time of the audience watching them go through the motions for Harari’s satisfaction. As a film critic, I’ve never once walked out of a screening in my life, but The Unknown almost became that first title for me to do so as it became as pointless of an exercise I’ve seen in recent memory.