For 25 reviews, this critic has graded:
  • 60% higher than the average critic
  • 8% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 6.8 points higher than other critics. (0-100 point scale)

Ryan Leston's Scores

  • Movies
  • TV
Average review score: 72
Highest review score: 90 The Stranger
Lowest review score: 40 Megamind vs. The Doom Syndicate
Score distribution:
  1. Positive: 17 out of 25
  2. Negative: 0 out of 25
25 movie reviews
    • tbd Metascore
    • 40 Ryan Leston
    Megamind vs. the Doom Syndicate is nothing more than a lazy, 14-years-too-late cash-in on DreamWorks IP.
    • 51 Metascore
    • 60 Ryan Leston
    A Man Called Otto is a benign comedy-drama that peppers a heart-wrenching story with plenty of eye-rolling jokes to distract you from its perfectly pedestrian plot.
    • 55 Metascore
    • 60 Ryan Leston
    Ambulance may often be nonsensical, but it’s also the biggest, boldest action movie of the past year and a spectacularly raucous return to form by director Michael Bay.
    • 65 Metascore
    • 50 Ryan Leston
    The end result is a slow-burn romantic thriller that's so slow it doesn't really seem to go anywhere.
    • 60 Metascore
    • 60 Ryan Leston
    While Tilda Swinton and Idris Elba give it their all, neither can save the film from collapsing in the third act. An unconvincing conclusion undermines a far better first half which sees Swinton and Elba waxing philosophical in a hotel room.
    • 74 Metascore
    • 60 Ryan Leston
    There’s social commentary here, but it’s largely incidental. Instead, Armageddon Time stops short of any meaningful statement, spending most of its time admiring the view.
    • 41 Metascore
    • 60 Ryan Leston
    Memory is a well-made if uninspired action flick that forges an interesting new take on the genre… then forgets all about it.
    • 43 Metascore
    • 50 Ryan Leston
    Choose or Die boots up a retro-style survival horror that will muster up a few delightful scares for the generation of gamers who grew up with Zork and The Valley of the Minotaur. But beneath this terror-filled glimpse of the ‘80s lies not much more than a bog-standard horror flick.

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