Ryan Lattanzio

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IndieWire
For 190 reviews, this critic has graded:
  • 48% higher than the average critic
  • 8% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 4.1 points higher than other critics. (0-100 point scale)

Ryan Lattanzio's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Queer
Lowest review score: 25 Red One
Score distribution:
  1. Positive: 129 out of 190
  2. Mixed: 56 out of 190
  3. Negative: 5 out of 190
190 movie reviews
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    • 55 Metascore
    • 42 Ryan Lattanzio
    The Devil All the Time
    There is no reason to care about anyone in Antonio Campos’ The Devil All the Time, a sweaty, bloated mess of a movie that flushes a knockout ensemble down the drain.
    • 42 Metascore
    • 42 Ryan Lattanzio
    Swiped
    The film’s anti-patriarchal thesis is a worthy one that feels oddly undeveloped given that it’s the entire point, the actors here merely reading lines from a script as pat as a canned solicitation to swipe right.
    • 51 Metascore
    • 42 Ryan Lattanzio
    Death of a Unicorn
    The lurching between genres, whether horror or comedy or heartfelt father-daughter movie, becomes increasingly transparent and frustrating as the movie tries to win our hearts back over with sentimental weepie moments in the film’s last act.
    • 55 Metascore
    • 42 Ryan Lattanzio
    The Bride!
    The Bride! is full of rage and feeling, striking an anarchic pose against oppression. But who it’s yelling at, who it’s yelling on behalf of, remains out of focus, the mystery of whatever Elsa Lanchester’s Bride might’ve been thinking left unanswered.
    • 52 Metascore
    • 42 Ryan Lattanzio
    Four Good Days
    Despite Close’s valiant efforts, everything about Four Good Days feels artificial, like face powder barely caked on over the horrors of a TV movie of the week.
    • 58 Metascore
    • 33 Ryan Lattanzio
    Freaky Tales
    Freaky Tales is Boden and Fleck’s attempt at applying their studio lessons learned circa “Captain Marvel” to something supposedly more personal, but this film just ends up only repeating that one’s most grating tendencies.
    • 24 Metascore
    • 33 Ryan Lattanzio
    Breaking News in Yuba County
    It’s the kind of movie that seems to suck your soul out while you’re watching it, variably crass and slapstick humor landing with a bloody thud.
    • 43 Metascore
    • 33 Ryan Lattanzio
    A Big Bold Beautiful Journey
    A Big Bold Beautiful Journey is miscalculated as a romance and a fantasy, and while I’m loath to blame a craftsman as intelligent as Kogonada entirely for the outcome, he did, after all, agree to direct this lousy script. A big, bold, beautiful bore indeed.
    • 36 Metascore
    • 25 Ryan Lattanzio
    He's All That
    Despite the efforts of a bright young cast, this is a hollow and depressing Gen Z romantic comedy. What’s even scarier is that this film comes from Mark Waters, the director of “Mean Girls,” a way savvier teen satire that doesn’t pander to its audience.
    • 34 Metascore
    • 25 Ryan Lattanzio
    Red One
    You don’t watch Red One so much as stare ahead at the screen. It is a movie that is playing in front of you, I can comfortably give it that much, and for one meant to summon up the Christmas spirit, there’s not a whiff of mirth from the screenplay to the production level.
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