Ruthe Stein
Select another critic »For 411 reviews, this critic has graded:
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55% higher than the average critic
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2% same as the average critic
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43% lower than the average critic
On average, this critic grades 1.8 points lower than other critics.
(0-100 point scale)
Ruthe Stein's Scores
- Movies
- TV
| Average review score: | 64 | |
|---|---|---|
| Highest review score: | The Visitor | |
| Lowest review score: | 8 Heads in a Duffel Bag | |
Score distribution:
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Positive: 244 out of 411
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Mixed: 111 out of 411
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Negative: 56 out of 411
411
movie
reviews
- By Date
- By Critic Score
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- San Francisco Chronicle
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- Ruthe Stein
Every once in a while you catch glimpses of originality and see what Gray Matters might have been if it hadn't gone soft and safe.- San Francisco Chronicle
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- Ruthe Stein
The Fountain' never comes together. Like the time traveler at its center, it's all over the map.- San Francisco Chronicle
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- Ruthe Stein
This so-called comedy is so not funny, it makes "Deuce Bigalow: Male Gigolo" look like Chaplin.- San Francisco Chronicle
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- Ruthe Stein
Lange seems at a loss to know how to convey Martha's malevolence -- and writer-director Jonathan Darby offers almost no guidance.- San Francisco Chronicle
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- Ruthe Stein
It is crystal clear who screwed up this tortuously slow-moving romantic drama.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Ruthe Stein
The movie [Sugarman] made gives little indication that she understands teen girls, dramatic or plain. Much of Confessions seems clueless and -- even worse for moviegoers of any age -- listless.- San Francisco Chronicle
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- Ruthe Stein
Recalling the earthiness Broderick Crawford brought to the original, I couldn't help thinking Gandolfini should have been cast as Willie.- San Francisco Chronicle
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- Ruthe Stein
The biggest puzzlement about "What'' is what it's doing in major movie theaters around the country when it so clearly belongs on one of those small cable channels given to peculiar programming.- San Francisco Chronicle
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- Ruthe Stein
Shoot 'Em Up is not only the title of Hollywood's latest descent into nonsensical mayhem but pretty much sums up the entire inane plot as well.- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- San Francisco Chronicle
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- Ruthe Stein
A half-baked script by Jacob Meszaros and Mya Stark admittedly gives Feig little to work with. But his young cast is capable of a lot more than is required of them in this so-called comedy.- San Francisco Chronicle
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- Ruthe Stein
Although well intentioned, has the superficial gloss of a TV movie of the week.- San Francisco Chronicle
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- Ruthe Stein
It's as if a trumped-up biopic of Andy Warhol were to appear titled "Soup.''- San Francisco Chronicle
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- San Francisco Chronicle
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- Ruthe Stein
Sharkboy relies almost entirely on 3-D for its kicks. The novelty, however, quickly wears thin with the thinnest of stories to project.- San Francisco Chronicle
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- San Francisco Chronicle
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- Ruthe Stein
The desperation TV stars must feel to be on the big screen is the only explanation for Edie Falco and Elisha Cuthbert's appearance in The Quiet, a creepy family drama that reeks of pretentiousness.- San Francisco Chronicle
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- Ruthe Stein
Sitting through Diggers is so tedious that you might find yourself envying the clam diggers. At least they get to be outdoors.- San Francisco Chronicle
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- Ruthe Stein
A Western short on dialogue and long on pomposity, is little more than an extended chase scene down a snow-filled mountaintop to a desert floor.- San Francisco Chronicle
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- Ruthe Stein
Although The Reaping' borrows elements from classics of the genre -- rips them off might be more accurate -- it fails to build the psychological tension that made them so creepily good.- San Francisco Chronicle
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- San Francisco Chronicle
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