For 42 reviews, this critic has graded:
  • 52% higher than the average critic
  • 0% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 5.6 points lower than other critics. (0-100 point scale)

Russ Fischer's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 91 Mandy
Lowest review score: 25 Point Break
Score distribution:
  1. Positive: 17 out of 42
  2. Negative: 4 out of 42
42 movie reviews
    • 54 Metascore
    • 75 Russ Fischer
    This gentle comedy is more interested in doing justice to the spirit of his achievement and the style of late-'80s comedy than the details of his life, but the resulting confection is sweet and simple.
    • 69 Metascore
    • 83 Russ Fischer
    In script and performance, the film is an articulate howl of anguish and rage given depth by a discerning comprehension of the ways various communities can rely on faith for very different means.
    • 72 Metascore
    • 50 Russ Fischer
    Captain Fantastic uses bleak but gentle comedy to pinpoint the variety of ways we wrestle with grief, but the film undermines Mortensen's performance and its own thematic ambitions by presenting the character as little more than an idealized fantasy figure.
    • 63 Metascore
    • 42 Russ Fischer
    Belgica is just like its characters, unwilling to shake a fascination with superficial pleasures to dive into any significant interactions.
    • 48 Metascore
    • 58 Russ Fischer
    Bay's overwrought tendencies simultaneously lead to the film's most compelling sequences of tense, bloody battle even as they forestall the more nuanced storytelling that would be crucial to truly unpacking the attacks. Bay may see the film as a cry of truth; muffled by his own predilections it's only a whisper.
    • 34 Metascore
    • 25 Russ Fischer
    This Point Break doesn’t ever connect with anything, even its own desire to celebrate the extreme.
    • 58 Metascore
    • 58 Russ Fischer
    In the end there's nothing surprising in Sisters, except for the fact that it isn't anything more than a party movie.
    • 80 Metascore
    • 75 Russ Fischer
    Abrams makes big decisions and takes chances that command respect, especially in the very safe current tentpole film industry, but he doesn’t always quite sell them as he could. Still, as this new chapter props the franchise back up on sturdy legs, the Force seems to be in capable hands with a fresh forward direction.
    • 39 Metascore
    • 58 Russ Fischer
    This is ninety minutes of comic actors having a genial go at middle-of-the-road material. It doesn’t have any guts, but that doesn’t mean it isn’t funny.
    • 59 Metascore
    • 67 Russ Fischer
    While [Chloe Sevigny's] work is commanding and a dedicated set of tough, engaged performances from the ensemble add life to the odd legend, awkward structural choices bleed away the film’s emotional punch long before the credits roll.
    • 63 Metascore
    • 58 Russ Fischer
    In the end Piercing seems more interested in aesthetic playfulness than getting the most out of these characters. Playing towards comedy helps some of the more freaky scenes go down, but that’s not a substitute for substance.
    • 83 Metascore
    • 91 Russ Fischer
    Through Cage, the film’s straightforward revenge plot becomes a King Crimson album played at half speed and twice normal volume; a bizarre and bloody outing with a strong heart beneath the surface.

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