For 12 reviews, this critic has graded:
  • 16% higher than the average critic
  • 0% same as the average critic
  • 84% lower than the average critic
On average, this critic grades 6.2 points lower than other critics. (0-100 point scale)

Rory Doherty's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 89 All We Imagine as Light
Lowest review score: 19 G20
Score distribution:
  1. Positive: 6 out of 12
  2. Negative: 2 out of 12
12 movie reviews
    • 91 Metascore
    • 86 Rory Doherty
    The story unravels at a steady clip, inviting more voices and frenetic emotions with every furtive location change, the possibility of righteous violence looking more likely and less inevitable at any given moment.
    • 59 Metascore
    • 63 Rory Doherty
    The fight scenes will make you laugh more than the dialogue, and it doesn’t survive a bumpy landing, but led by Captain Hartnett, Fight or Flight takes advantage of its budget airline resources for a knowingly ludicrous romp.
    • 93 Metascore
    • 89 Rory Doherty
    All We Imagine as Light is both admirably restrained and deliberately poetic, painting its constrained women with nuance and empathy, before they light up a narrow path out of liminality.
    • 79 Metascore
    • 67 Rory Doherty
    The traditional, closed-door design of the election invites an inherent layer of mystery and conspiracy, and the staggered voting process – the tallies of each vote are announced in front of the cardinals, giving them a brief recess to reconsider who is worth throwing their weight behind before having another go – provides an attractive structure for drama.
    • 85 Metascore
    • 70 Rory Doherty
    Like the best Argentine cinema, Moreno merges perceptive but mundane psychology with prickling social critique, and even though The Delinquents’ thematic clarity borders on obvious during its 189 minutes, Moreno demonstrates such command over his characters and actors that The Delinquents remains calmly compelling.
    • 80 Metascore
    • 64 Rory Doherty
    While [West] gets credit for trying to pull off some unwieldy, contrived storylines with conviction, it’s in its final moments that Linoleum nearly buckles under its own weight. West is not content to let his film speak in pure abstractions, and is convinced that it’s better to give clear, explicit explanations for a story that would be better off trading solely in metaphor.

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