Ron Stringer
Select another critic »For 51 reviews, this critic has graded:
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41% higher than the average critic
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1% same as the average critic
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58% lower than the average critic
On average, this critic grades 17.9 points lower than other critics.
(0-100 point scale)
Ron Stringer's Scores
- Movies
- TV
| Average review score: | 48 | |
|---|---|---|
| Highest review score: | Les DestinƩes | |
| Lowest review score: | The Hillside Strangler | |
Score distribution:
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Positive: 13 out of 51
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Mixed: 24 out of 51
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Negative: 14 out of 51
51
movie
reviews
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- Ron Stringer
What's most disturbing about this ineptly scripted, utterly implausible (and at the same time curiously likable) comedy of sin and redemption in TV's home-shopping universe is how close a committed cast and a talented director (Stephen Herek, late of Mr. Holland's Opus) come to pulling it off, to making us feel good about the 110 minutes or so we've just pissed away.- L.A. Weekly
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- Ron Stringer
Still and all, the makeup special effects are as over the top as anything in Hooper and L.M. Kit Carson's 1986 Texas Chainsaw Massacre 2, and -- for those of us without the sense to steer clear of this sort of thing -- that's saying something.- L.A. Weekly
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- Ron Stringer
A fine specimen of clean-cut Mormon family entertainment, but it may also be a step in the wrong direction for the fledgling production company.- L.A. Weekly
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- Ron Stringer
A fine cast of unknowns in a story of faith -- lost, found and continually challenged -- that neither romanticizes nor condescends to its milieu.- L.A. Weekly
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- Ron Stringer
Those seeking anything resembling a real discussion of the issues had best seek elsewhere.- L.A. Weekly
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- Ron Stringer
Fails in so many respects, even die-hard constituents may have trouble learning to like it.- L.A. Weekly
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- Ron Stringer
The fun here is not so much in the solid if stolid performances from Bale and co-stars Taye Diggs and Emily Watson (gussied up to resemble the Jefferson Airplaneāera Grace Slick) or in Wimmer's overpolished plot devices as it is in the production values.- L.A. Weekly
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- Ron Stringer
While decidedly green, at least isn't mealy or tasteless. And if the juice in tyro screenwriter Erica Beeney's witty dialogue can't quite flow through the hard tissue of underripe gimmicks and derivative set pieces, there's enough sweetness in the performances, and tautness in the direction (by Efram Potelle and Kyle Rankin), to forestall any serious bellyaching.- L.A. Weekly
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- Ron Stringer
Yo momma so fat, when she gets in an elevator, it has to go down. Had enough?- L.A. Weekly
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- Ron Stringer
Of course, this is just another teen movie -- with tons of dick jokes that don't know when to quit, and buckets of realistic-looking "excrement" splattered all over its "juvenile" cast, and even a couple of gags that actually fly.- L.A. Weekly
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- Ron Stringer
By highlighting the human costs of slavery to everyone BUT the enslaved -- here, relations between African-American domestics and their owners are cordial, even respectful, on both sides -- Maxwell risks being pilloried as an apologist for that institution.- L.A. Weekly
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- Ron Stringer
The “surprise” ending, when it comes, is more of a hoot than a holler.- L.A. Weekly
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- Ron Stringer
What this turkey produces in the way of hang-ups is a transparently phony class conflict.- L.A. Weekly
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- L.A. Weekly
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- Ron Stringer
The fault lies mostly with the writers, who consistently come up short on wit and imagination enough to finish, let alone flesh out or polish, a joke.- L.A. Weekly
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- L.A. Weekly
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- L.A. Weekly
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- Ron Stringer
A good horse kick, or a fistful of Valium, may help you get through this relentlessly sadistic exercise with your soul more or less intact.- L.A. Weekly
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- L.A. Weekly
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- L.A. Weekly
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- L.A. Weekly
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