Roger Moore

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McClatchy-Tribune News Service, Orlando Sentinel, Movie Nation
For 6,462 reviews, this critic has graded:
  • 35% higher than the average critic
  • 12% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Dunkirk
Lowest review score: 0 Mike Boy
Score distribution:
  1. Positive: 3,255 out of 6462
  2. Mixed: 1,344 out of 6462
  3. Negative: 1,863 out of 6462
6462 movie reviews
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    • 65 Metascore
    • 50 Roger Moore
    Twisters
    Twisters is set to be one of the biggest hits of the summer, with a budget that convinced two studios to share the cost and distribution. But that lack of the human touch lowers the stakes, minimized the suspense and left me cold. The effects are next generation impressive, but they’ve been getting steadily better in the tornado movies between Twister and Twisters.
    • tbd Metascore
    • 38 Roger Moore
    The Champion
    The Champion isn’t a winner, but formulaic or not, it’s never quite a total write-off either.
    • 66 Metascore
    • 75 Roger Moore
    The Convert
    Tamahori is a filmmaker in both his elements here, a Maori who never allows this Maori story to turn patronizing, an action auteur (he counts a Bond film, a “XXX” thriller and “The Edge” among his credits) who knows how to make violence visceral, and in combat scenes, an epic experience.
    • 77 Metascore
    • 38 Roger Moore
    Longlegs
    The film is a somber, somnambulent drift for long stretches, interrupted by cheap jolts and the occasional grim “legitimate” one.
    • 64 Metascore
    • 38 Roger Moore
    MaXXXine
    The shock has worn off and the transition to slasher porn to “thriller” proves to be a bit of a stretch for West. But maybe, now that all this “Pearl,” “Maxine” period piece business is out of his system, he’ll try something fresh.
    • 53 Metascore
    • 25 Roger Moore
    Fly Me to the Moon
    Ill-timed for an America fighting and losing its endless battle with reality and “facts,” “Moon” is glib, dull and ahistorical. Not a romance, kind of comic and too stupid to be satire, it wastes leads Scarlett Johansson and Channing Tatum.
    • 74 Metascore
    • 63 Roger Moore
    Touch
    Emotional shortcomings aside, Touch still pulls you in, an immersive story of alien worlds — the 1960s, Iceland and Japan — sympathetically and patiently told, a lovely two hour break from the world and the fresh waves of bad news that stain even the best of times.
    • tbd Metascore
    • 50 Roger Moore
    Descendants: The Rise of Red
    It’s all just (almost) good, clean and forgettable “fun,” for those young enough to be delighted by it.
    • tbd Metascore
    • 63 Roger Moore
    Escape
    The leads are compelling, the action furious and the suspense right on the edge of riveting, which is more than enough to make this “Escape” an odyssey we want to take with these people who want to decide their own future, rather than having a failing totalitarian state do it for them.
    • 64 Metascore
    • 25 Roger Moore
    Kinds of Kindness
    Kinds of Kindness is an obscurant, indulgent wank — two hours and forty-five minutes of cryptic cruelty, messianic fervor, cannibalism and perhaps a metaphoric peek at the futility of faith, the limits of dogma and the eagerness of the indoctrinated to be exploited.
    • 53 Metascore
    • 38 Roger Moore
    Beverly Hills Cop: Axel F
    A warm grin of recognition here and there and memories of better banter, quicker pacing and a real fish-out-of-water feel from the earlier films is about the best one can hope to get out of this “Cop.”
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