For 6,466 reviews, this critic has graded:
  • 35% higher than the average critic
  • 12% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 9.7 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Dunkirk
Lowest review score: 0 Mike Boy
Score distribution:
6466 movie reviews
    • 40 Metascore
    • 25 Roger Moore
    Roberts and Union pull out the stops trying to find laughs in this script, mostly failing.
    • 63 Metascore
    • 50 Roger Moore
    Though we “see” the attraction between the two young women, we rarely feel it. Luchetti makes her beautiful looking film about this budding summer romance, but never quite convinces us of her passionate interest in it, or in much else that was going on in Italy in 1938.
    • tbd Metascore
    • 38 Roger Moore
    So anyone expecting this depiction of Asperger’s/”on the spectrum” autism to advance the medium will be sorely disappointed. The artistic milieu and tentative attempts at making a connection shine, but too much of what’s here is just genre cliches.
    • 36 Metascore
    • 25 Roger Moore
    [Segal's] no better than anyone else would be at wringing laughs from this crap script. Yes, he co-wrote it. But if enough people stream this on movie-content-starved Amazon Prime, maybe he’ll get another shot at getting a better movie out of this franchise.
    • 50 Metascore
    • 50 Roger Moore
    Find Me Falling never reaches beyond the low hanging fruit. But that turns out to be pretty sweet, if not quite as filling or challenging as you might hope.
    • 65 Metascore
    • 50 Roger Moore
    Twisters is set to be one of the biggest hits of the summer, with a budget that convinced two studios to share the cost and distribution. But that lack of the human touch lowers the stakes, minimized the suspense and left me cold. The effects are next generation impressive, but they’ve been getting steadily better in the tornado movies between Twister and Twisters.
    • tbd Metascore
    • 38 Roger Moore
    The Champion isn’t a winner, but formulaic or not, it’s never quite a total write-off either.
    • 66 Metascore
    • 75 Roger Moore
    Tamahori is a filmmaker in both his elements here, a Maori who never allows this Maori story to turn patronizing, an action auteur (he counts a Bond film, a “XXX” thriller and “The Edge” among his credits) who knows how to make violence visceral, and in combat scenes, an epic experience.
    • 77 Metascore
    • 38 Roger Moore
    The film is a somber, somnambulent drift for long stretches, interrupted by cheap jolts and the occasional grim “legitimate” one.
    • 64 Metascore
    • 38 Roger Moore
    The shock has worn off and the transition to slasher porn to “thriller” proves to be a bit of a stretch for West. But maybe, now that all this “Pearl,” “Maxine” period piece business is out of his system, he’ll try something fresh.
    • 53 Metascore
    • 25 Roger Moore
    Ill-timed for an America fighting and losing its endless battle with reality and “facts,” “Moon” is glib, dull and ahistorical. Not a romance, kind of comic and too stupid to be satire, it wastes leads Scarlett Johansson and Channing Tatum.

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