Rodrigo Perez

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For 486 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.1 points lower than other critics. (0-100 point scale)

Rodrigo Perez's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Captain Phillips
Lowest review score: 0 The Babysitter: Killer Queen
Score distribution:
  1. Positive: 283 out of 486
  2. Mixed: 130 out of 486
  3. Negative: 73 out of 486
486 movie reviews
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    • 37 Metascore
    • 16 Rodrigo Perez
    Outcome
    Outcome—and it’s bad scenes shot behind obvious blue screen and fake, manufactured sunsets—is terrible. But what makes it memorable is the queasy way the movie keeps collapsing into the very pathology it thinks it is exposing. It wants to mock the famous for living inside a bubble of privilege, paranoia, and vanity, yet it ends up sounding like it was made from inside that bubble.
    • 35 Metascore
    • 16 Rodrigo Perez
    Rebel Moon Part 2: The Scargiver
    Much like ‘A Child Of Fire,’ “The Scargiver” is exhausting, enervating, and exasperating, frantically flailing around with explosions, lasers, laser lightsaber-like swords, grenades, et al., but always failing to make you give a damn.
    • 46 Metascore
    • 16 Rodrigo Perez
    Horns
    When Horns thankfully concludes, relief sets in; this hellishly misguided effort concludes with an inferno and sequels are never sprung from the equivalent of a mouthful of ash.
    • 52 Metascore
    • 16 Rodrigo Perez
    5 to 7
    Much more of an adolescent male fantasy than a relatable, genuine film about love or relationships, “5 To 7” is deeply naïve and has very few, if any real insights to the heart or human condition.
    • 42 Metascore
    • 16 Rodrigo Perez
    Locked Down
    Resembling a patched together sketch of an idea, and a thrown-together filmed play, set (mostly) inside a house, Locked Down should have just been terminated in the lab, instead of rushing out like a vaccine of entertainment that cured absolutely no one of their doldrums.
    • 37 Metascore
    • 16 Rodrigo Perez
    Electric Slide
    Tiresomely told, uninteresting, and turgid, Electric Slide is as insipid as it gets — a meaningless movie about almost nothing at all.
    • 34 Metascore
    • 16 Rodrigo Perez
    The Mummy
    The Mummy is a dated, empirically dismal, laughable excuse to kick off a franchise, and it should have remained entombed.
    • 63 Metascore
    • 16 Rodrigo Perez
    Faces of Death
    For all its rage about moral decline and the psychic poison of content culture, Faces Of Death never rises above the same cheap sensationalism it pretends to condemn. Instead of confronting the sickness, it feeds on it and spits out something just as rancid as the faux snuff films it claims to abhor.
    • 21 Metascore
    • 16 Rodrigo Perez
    The Clapper
    Bafflingly witless, The Clapper is an oblivious non-starter with myriad deficiencies. Artless and clueless at every turn, writer/director Dito Montiel’s inane movie is a one-note half-gag somehow stretched into a painful 90-minute movie.
    • 50 Metascore
    • 16 Rodrigo Perez
    American Ultra
    American Ultra hopes to leave you both shellshocked and blissfully stoned, but as perfect storm of aggressively repulsive choices, it’s a queasy bad trip worth avoiding at all costs.
    • 49 Metascore
    • 16 Rodrigo Perez
    Venom: Let There Be Carnage
    In doubling down on would-be humor, the already poor, perspiring, flop-sweat CGI mess of Venom actually gets worse and arguably even more incoherent, thanks to the unbearable, overweening quarreling between Brock and Venom and the vaudevillian crazy legs antics and presentation.
    • 40 Metascore
    • 16 Rodrigo Perez
    Welcome To Marwen
    Based on the story of a man beaten so mercilessly he had to construct a fantasy world in order to survive his great pain and suffering, Robert Zemeckis’ insipid Welcome To Marwen is a painfully schmaltzy misjudged disaster, and superficial retelling that dishonors a layered and agonizing story about trauma.
    • 41 Metascore
    • 16 Rodrigo Perez
    Venom: The Last Dance
    Contrarian so-bad-its-good specialists with PhDs in advanced irony once hailed the “Venom” films as entertaining campy classics and tongue-in-cheek antidotes to the more conventional superhero genre, but you will not be surprised when none of those scholars pipe up in support of this grueling cinematic slog that further underscores just how bad the entire affair was all along.
    • 50 Metascore
    • 16 Rodrigo Perez
    War Story
    Elusively told to the point of irritation, joyless and shot in chilly incarcerating rooms, War Story has the look and feel of an exhausted ashtray and borders on the pretentiously unclear.
    • 29 Metascore
    • 0 Rodrigo Perez
    Bright
    Bright tries to create a unique and dynamic world with the juxtaposition of harsh police life, crime and modern life contrasted with this imaginary magical realm, but it’s contrived, unconvincing and most of all calamitously preposterous.
    • 22 Metascore
    • 0 Rodrigo Perez
    The Babysitter: Killer Queen
    The now pat, unimaginative knock on McG was that he was the Guy Fieri of filmmakers, — loud, crass, garish, tacky, hacky, double fisted with Monster Energy drinks and reeking of Ax Body Spray. But you know what? Sadly, that shoe seems to snuggly fit and he seems more than willing to wear it.
    • 46 Metascore
    • 0 Rodrigo Perez
    Fifty Shades of Grey
    Ultimately, Fifty Shades Of Grey is embarrassing and depressing, especially when considering the picture as a reflection of the quality of mainstream modern romance today.
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