Robert Horton

Select another critic »
For 189 reviews, this critic has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 12.6 points lower than other critics. (0-100 point scale)

Robert Horton's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 Being John Malkovich
Lowest review score: 0 Tomcats
Score distribution:
  1. Positive: 63 out of 189
  2. Negative: 39 out of 189
189 movie reviews
    • 38 Metascore
    • 50 Robert Horton
    Sandler repeats his sweet-souled doofus routine, with nerdy Patricia Arquette as the object of his affections.
    • 37 Metascore
    • 30 Robert Horton
    The movie is a mess.
    • 37 Metascore
    • 50 Robert Horton
    A pleasant surprise that The Crew offers up the charms it does.
    • 37 Metascore
    • 40 Robert Horton
    A skim-milk version of a yuppie romance.
    • 36 Metascore
    • 40 Robert Horton
    Does have its share of bona fide chuckles, but it falls shy of its possibilities.
    • 36 Metascore
    • 40 Robert Horton
    I haven't got the slightest idea whether these characters are meant as satirical targets or as a reasonably fair cross-section of Today's Youth.
    • 36 Metascore
    • 40 Robert Horton
    What keeps Stardom watchable is Arcand's droll humor.
    • 35 Metascore
    • 20 Robert Horton
    These are good people, yet the director has them carrying on like community theater actors playing to the balcony. It isn't fair to them, and it isn't fitting for Shakespeare.
    • 35 Metascore
    • 40 Robert Horton
    This film, a remake of a hapless 1974 cheapie of the same title, can't even get the big chase right.
    • 35 Metascore
    • 10 Robert Horton
    There isn't a moment of wonder or poetry in its very long 69 minutes.
    • 34 Metascore
    • 40 Robert Horton
    Moss -- in her first big role since "The Matrix" -- is the main reason to see Red Planet, a badly written and visually scenic space opus.
    • 34 Metascore
    • 50 Robert Horton
    For a good 40 minutes or so in the middle of this movie, De Palma is in his element.
    • 34 Metascore
    • 50 Robert Horton
    Beginnings don't come much more lurid than this, and the rest of End of Days never quite reaches this level of flat-out wildness again.
    • 34 Metascore
    • 30 Robert Horton
    Little entertainment value.
    • 33 Metascore
    • 40 Robert Horton
    This is basically a movie about one neurotic woman and her neurotic L.A. life. .
    • 33 Metascore
    • 40 Robert Horton
    She (Lopez) wipes away the unpleasant memories of "The Cell," and serves notice to Julia and Sandra that there's another girl out there who can do romantic comedy-even of the half-baked variety.
    • 33 Metascore
    • 30 Robert Horton
    There is no obvious reason for the film's meandering existence: it's a series of beautifully photographed postcards of Africa.
    • 31 Metascore
    • 30 Robert Horton
    Nasty, regularly amusing black comedy.
    • 31 Metascore
    • 20 Robert Horton
    Dumb and irritating.
    • 29 Metascore
    • 40 Robert Horton
    Not terribly enjoyable to watch.
    • 28 Metascore
    • 30 Robert Horton
    Oddly enough, I'm enjoying the memory of these jokes more than I actually enjoyed watching the film.
    • Film.com
    • 27 Metascore
    • 50 Robert Horton
    This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17, but it does provide a launching pad for a group of attractive people.
    • 27 Metascore
    • 30 Robert Horton
    This movie is a business decision, and about as diverting to watch as someone reading the Universal fiscal report.
    • 26 Metascore
    • 60 Robert Horton
    For me, Trixie finds its own peculiar groove, and-buoyed by a compulsively watchable actress-folds neatly into the off-center work of a distinctive American director.
    • 26 Metascore
    • 30 Robert Horton
    A standard morality tale, and looks especially weak in the shadow of "Eyes Wide Shut" and "Fight Club," which it resembles.
    • 25 Metascore
    • 20 Robert Horton
    So very general in its characters and story that it actively keeps you from enjoying the simple pleasures of a movie like this.
    • 25 Metascore
    • 10 Robert Horton
    A dismal film, a flop as both 21st-century romantic comedy and gay "Kramer vs. Kramer."
    • 24 Metascore
    • 20 Robert Horton
    Spending an autumn in New York is the simple part, but the rest of the year gets more complicated. Let's see a movie about that.
    • 24 Metascore
    • 20 Robert Horton
    One wonders if the only original directors left are the obsessives and the freaks. This guy qualifies on both counts.
    • 23 Metascore
    • 10 Robert Horton
    An amazing compendium of dumb behavior, bad dialogue, and incoherent direction.

Top Trailers