Robert Horton

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For 189 reviews, this critic has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this critic grades 12.6 points lower than other critics. (0-100 point scale)

Robert Horton's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 Being John Malkovich
Lowest review score: 0 Tomcats
Score distribution:
  1. Positive: 63 out of 189
  2. Negative: 39 out of 189
189 movie reviews
    • 39 Metascore
    • 50 Robert Horton
    It's all safe and sane and bland.
    • Film.com
    • 56 Metascore
    • 50 Robert Horton
    Feels more like a backyard relaxation than a movie.
    • 54 Metascore
    • 50 Robert Horton
    A difficult time rising above the level of a reasonably nice TV-movie.
    • 63 Metascore
    • 60 Robert Horton
    Gibson's performance is robbed of his customary humor, and he flounders around in search of the character's core.
    • 51 Metascore
    • 50 Robert Horton
    A very silly film.
    • 58 Metascore
    • 50 Robert Horton
    A collection of movie situations, recognizable from the films of Coppola and Scorsese, with a less obvious debt to Kazan.
    • 50 Metascore
    • 50 Robert Horton
    The movie itself gets scattered.
    • 59 Metascore
    • 60 Robert Horton
    Little of this is plausible, but it is beguiling.
    • 38 Metascore
    • 50 Robert Horton
    Sandler repeats his sweet-souled doofus routine, with nerdy Patricia Arquette as the object of his affections.
    • 42 Metascore
    • 50 Robert Horton
    As executive producer of the film, he (Freeman) clearly sees something in Alex Cross, a man much more interesting than the cheesy plot surrounding him.
    • 44 Metascore
    • 40 Robert Horton
    Until it backs itself into a narrative corner, Lisa Krueger's Committed is a delightfully unpredictable experience.
    • 36 Metascore
    • 40 Robert Horton
    What keeps Stardom watchable is Arcand's droll humor.
    • 73 Metascore
    • 50 Robert Horton
    There is a point in the movie when this mayhem crosses the line from wildly imaginative to downright insufferable.
    • 47 Metascore
    • 40 Robert Horton
    The brainchild of English director Ben Hopkins, who takes his time getting going. Too much time, really, as the first hour passes rather antsily, without quite achieving forward motion.
    • 74 Metascore
    • 50 Robert Horton
    Go
    When the writing is good, Go is good, and when the writing is flat, things fall apart.
    • Film.com
    • 63 Metascore
    • 40 Robert Horton
    Mostly this film skims by on the surface, its conflict and climax visible from the opening five minutes.
    • 44 Metascore
    • 40 Robert Horton
    As flat as the brim of a Mountie hat.
    • 51 Metascore
    • 40 Robert Horton
    This impeccable ghost story is utterly old-fashioned, a straightforward suspenser with no twists.
    • 34 Metascore
    • 50 Robert Horton
    For a good 40 minutes or so in the middle of this movie, De Palma is in his element.
    • 42 Metascore
    • 40 Robert Horton
    A weirdly stillborn experience.
    • 52 Metascore
    • 50 Robert Horton
    There's no way out of the excruciating melodrama, and the film withers in its trap.
    • 41 Metascore
    • 40 Robert Horton
    Everything about the movie is fine and dandy and dull.
    • 34 Metascore
    • 50 Robert Horton
    Beginnings don't come much more lurid than this, and the rest of End of Days never quite reaches this level of flat-out wildness again.
    • 23 Metascore
    • 40 Robert Horton
    Beautiful is a mess, but not without interest.
    • 41 Metascore
    • 50 Robert Horton
    A generally dumb movie with a smart, appealing, gutsy leading lady.
    • 35 Metascore
    • 40 Robert Horton
    This film, a remake of a hapless 1974 cheapie of the same title, can't even get the big chase right.
    • 59 Metascore
    • 60 Robert Horton
    This relationship might be strong enough to carry an observational novel, but the movie feels like it's missing something.
    • 27 Metascore
    • 50 Robert Horton
    This lightweight concoction can't justify a trip out to the multiplex, unless you're a girl between the ages of 12 and 17, but it does provide a launching pad for a group of attractive people.
    • 30 Metascore
    • 40 Robert Horton
    Serves up the usual homilies, but it lacks the quirky density and cinematic snap.
    • 56 Metascore
    • 50 Robert Horton
    A truly stunning technical experiment.

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