Rachel LaBonte

The jokes fly and mostly land, though that's largely thanks to the skill of the cast.

While some aspects might feel slight, Tahara is an engrossing coming-of-age tale bolstered by its distinctive visual style and well-matched leads.

It's far from a poorly-constructed movie, but the tonal issues and refusal to invest in its strongest personalities make it a frustrating watch.

Though the sparks could be brighter for its central couple, What's Love Got to Do with It? still has plenty of charm.

Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.

Her first outing is largely a rush of violent, thrilling action, entertainingly served up for the big screen, but it isn't without its problems. I just hope that if this killer gets to dance again, she's better served by a more streamlined narrative.

Marshall has captured enough of the magic from the original to entertain longtime fans. Bailey's Ariel is one for the ages, and McCarthy is fantastic as Ursula. With these two ladies on board, The Little Mermaid is a genuine delight.

With such incredible performers as Colman and Cumberbatch at the center of it all, though, it's easy to have a blast. You'll want them to break up just as much as you want them to make up, and that is the most impressive thing of all.

Between the humor and Quaid's performance, there's so much fun to be had here that it's easy to just sit back and enjoy the ride.

Rather than being a well-rounded look at Martin's life, Christy offers a shallow, unbalanced perspective. It's light on its feet in some parts and heavy-handed in others, and though Sweeney gives a strong performance, I can't help but feel like she deserved a better showcase for her talents.

Indiana Jones and the Dial of Destiny doesn't quite match the highs that came before it, but with Ford's assured performance at its center, it's still an entertaining and nostalgic ride.

The Last Letter From Your Lover is a charming look at two love stories, and while it's hardly anything new, the film holds plenty of warmth.

Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.

Somebody I Used to Know is a refreshing take on routine rom-com tropes that, while suffering from a slow start, makes for a rewarding journey.

Assisted by franchise veteran Lebo M., Miranda brings his addictive melodies and spry lyricism to the movie and creates a soundtrack that can hold its own against the original.

While Minions: The Rise of Gru still can't entirely justify itself, it does provide a far more heartfelt and fun outing than its predecessor.

Enhanced by an all-in performance from Watts and impressive behind-the-camera work, Infinite Storm is a ride that's both engrossing and emotional.

This is a franchise that has treated its supporters with respect while opening its arms to newcomers. Because of that, the weaker elements of the film feel unimportant in the wake of a genuinely entertaining time that will no doubt thrill audiences of all ages.

It doesn't reinvent the rom-com wheel, but it makes for easy, pleasurable viewing.

The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.

Ultimately, it is a gorgeous film that's empty inside despite all of its interesting ideas and good intentions.

Though following a familiar formula that's running the risk of wearing thin, Kung Fu Panda 4 still finds heart in the reliable Dreamworks franchise.

The Critic was far less fun than I had hoped it would be.

With top-notch performances and production design, The Ballad of Songbirds and Snakes is a worthy addition to the Hunger Games franchise.

Ultimately, Railway Children struggles a bit in balancing its tone and grand ambitions. However, for those looking for a sweet story about the power of friendship and childlike willfulness, this movie just might win them over.

This movie won't be for everyone, but Dafoe enthusiasts will have to check out his go-for-broke depiction of a man at his wits' end. It keeps the movie exciting even when the pacing falters.

This is the kind of movie I'd like to see more of, the kind that wears its heart on its sleeve and takes us on a ride. A meandering ride, sure, but even a long trip can have its perks.

The biggest selling point is Squibb. With a mischievous twinkle in her eye, she shoots off wisecracks and plenty of grandmotherly affection, and you almost wish you could be friends with Eleanor too.