Rachel LaBonte

By not giving into what might be expected from a typical immigrant story, Chung has given the material space to breathe on its own, creating a space that can be appreciated by all kinds of people. The cast shines, the story hits home, and Minari stands as a winner.

The Quiet Girl is an earnest depiction of family and unexpected connections that lingers long after the credits roll.

Led by two powerhouse performances, Ma Rainey's Black Bottom soars when it lets its stars shine, hitting the audience with a gut punch of emotions.

Nomadland might tell an unconventional story, but thanks to Zhao's careful hand and McDormand's performance, it will resonate with all audiences.

With an aching heart, lush visuals, and magnetic acting, Hamnet is undoubtedly one of the best movies of the year and will continue to resonate with audiences for years to come.

Grief and trauma don't provide easy answers and The Fallout doesn't either. But it does take viewers on a poignant journey right alongside its heroine. It can be heavy, but it can also hold moments of humor and joy.

It's a testament to the care that went into this movie, the hard work of the cast and crew, and the power of the story itself that I left the theater both moved and inspired. This is a movie that will likely stick with me for some time, and I'm glad; I think it's not one that should be forgotten.

The animators bring this world to life with expert skill.

Marry Me could've gone deeper with some aspects and laid off the musical numbers a little bit, but it will still be the perfect movie for anyone looking for some romance this Valentine's Day.

The Christophers trusts its two leads and their characters to guide the audience to its desired conclusion, and watching it unfurl is a rewarding experience.

The Valet is a charming twist on a classic trope led by two delightful leads, even if it sometimes struggles under the weight of all it has taken on.

Those who prefer their period pieces to be more traditional will find this blasphemous, but those willing to imagine a 16th century Verona with updated characters will get a kick out of Rosaline's antics.

Though The Alternate could've been better served by a deeper exploration of its themes and characters, it offers a unique take on a familiar idea.

As a character study, Blue Moon is imperfect, but its smart framing of a pivotal moment in Hart's life elevates it.

Poetic License has a classic sort of feel that makes it a very enjoyable watch. It keeps a good pace, mixes the heart with the hilarious, and spotlights an incredible collection of performers.

This is a sequel that doesn’t quite surpass its original, but is still a worthy follow-up all on its own. Anyone who enjoyed the original Enchanted should find plenty to love here.

Alice, Darling is a respectful and piercing character study that also serves as an excellent showcase for Kendrick's talents.

Though it can't quite break out of the Disney mold, Encanto is greatly aided by a unique story, a delightful cast of characters, and a vital message.

Reptile gets an extra edge thanks to its rock-solid cast and sufficiently gripping mystery, but it never coalesces into anything incredible.

Gordon and Lerman are both in great form, going a long way in carrying the somewhat problematic premise.

Led by a stunning Emma Mackey, Emily is a striking depiction of a woman embracing her individuality while crafting an iconic piece of literature.

She Rides Shotgun packs a punch — or, to use one of Nate's lessons for Polly, hits you like a baseball bat to the back of the head. The subplot with the local gang may be forgettable, but the father-daughter relationship will stick with you for a long time.

As a celebration of love and music, Sylvie's Love is a comforting and sweet movie that, while not breaking ground, is noteworthy in its earnestness.

It's an entertaining movie that also serves as a great showcase for Gadot's action chops, but it might not linger long in the memories of viewers.

Scrap is ultimately an unflinching and sensitive portrait of a woman faced with the terrifying uncertainty of rebuilding her life. Though some of the harsher realities of being homeless aren't explored in much depth, and the ending is a touch too neat, Kerr crafts a compelling journey for us to go on, one that should linger after it's over.

Save for the tiniest of things, Wicked is a worthy screen adaptation of the musical, guaranteed to make viewers feel like they could defy gravity too.

Quietly immersive and poignant, Supernova excels as a showcase for leads Tucci and Firth, even when the story can't quite match them.

What Happens Later isn't without some hiccups in its execution, but with Ryan at the helm, it's impossible not to feel charmed.

Those willing to embark on Fremont's modest, gently heartbreaking journey will find themselves rewarded by what it has to offer.

Christmas with the Campbells tries to take some big swings toward shaking up the conventional holiday movie mold, but it ultimately ends up being more of the same, just with some sticky moments. The earnestness of its cast, especially Snow, makes up for some of the other elements that are lacking.

Pixar's latest big screen adventure, Elio, is a big-hearted tale about friendship, family, and connection, and it will both delight and wreck you.

With Stiller at the center, Nutcrackers is a solid, if not incredibly memorable, holiday effort.

Bolstered by the sweet chemistry of its attractive leads, All My Life doesn't listen to its central message: Make the most of the time you have.

Bolstered by a star-making performance from Simu Liu, Shang-Chi and the Legend of the Ten Rings gets the MCU's newest hero off to a promising start.

Anchored by excellent lead performances from Ed Helms and Patti Harrison, Together Together is a charming crowd-pleaser with a lot of heart.

Led by a great Lesley Manville, Mrs. Harris Goes to Paris is a delightfully wholesome film and the very definition of a "feel good" story.

The Harder They Fall is a crowd-pleasing and worthy addition to the Western canon that knows how to have a good time with a familiar story.

It's an absurd and stunning story, but it also holds such heart and authenticity that it feels deeply relatable.

Though messy at times, Black Panther: Wakanda Forever is an impactful examination of grief aided by excellent character work and exhilarating action.

Even with its flaws, it’s largely an entertaining film with plenty of humor and a story that truly must be seen to be believed.

Too often, though, the creativity gets bogged down beneath the references and standard mystery. Chip 'n Dale: Rescue Rangers still makes for an entertaining viewing experience, just as long as one doesn't mind the extra baggage.

It proves to be a fulfilling and heartwarming journey.

All told, Thirteen Lives is a solid and compelling watch that stands as a testament to people's resilient spirits.

This movie is as close to a perfect ending as the franchise could get.

Where the Crawdads Sing stumbles a bit in its transition from page to screen, though it is aided by a great lead performance.

Twisters is the kind of blockbuster the summer movie season was made for, and it proves sequels don't need to be beholden to what came before.

Underneath its weaker spots, Turtles All the Way Down is bolstered by genuine heart and an excellent central performance from Isabela Merced (Madame Web, Instant Family).

First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.

It's the kind of eccentric true story that seems tailor-made for a movie, and McAvoy brings it to life with plenty of high-spirited energy.

For all its more serious moments, The Good House actually feels a lot like comfort food. It could be due to the vivid community the filmmakers have built, or because of Weaver's multifaceted performance. It also could be because, at its core, The Good House is about inner growth and the value in appreciating loved ones.

All the Old Knives lacks innovation, but it still serves up an entertaining ride thanks to Pine and Newton's twisty dynamic.

The whole Armand cast is stellar, perfectly conveying the characters' shifting allegiances and uncertain moral stances.

Luckily, Johnson and Penn's compelling dynamic keeps us hanging on, right up until the moment they part. That final beat could've been shorter to make more of an impact, but that doesn't lessen the satisfaction of the journey overall.

Seven Veils still falls prey to its own expansive focus, making it a compelling yet unsatisfying drama.

Copshop won't be for everyone, but those looking for some old-fashioned gun-slinging hijinks will get some enjoyment out of it.

Ansari has brought his familiar comedic charm to a solid, original story, and the end result is an all-around good time.

Aided by an excellent young cast, Secret Headquarters is a fun adventure for all ages, even if certain elements feel superficial in the end.

Director David Lowery (Pete's Dragon) brings a more mature sensibility to the tale of a boy who never wants to grow up, and it ultimately yields some mixed results. While Peter Pan & Wendy is strangely lacking some magic, it is saved by a scene-stealing Jude Law and a narrative that forces one to reckon with Peter's more negative traits.

When You Finish Saving the World is filled with interesting ideas and scenes, yet is hindered by character development that feels incomplete.

I would love to spend more time with this ensemble. While the story deviations can prove a bit frustrating, the movie is its own thing, and I suspect it'll be a crowd-pleaser.

The jokes fly and mostly land, though that's largely thanks to the skill of the cast.

While some aspects might feel slight, Tahara is an engrossing coming-of-age tale bolstered by its distinctive visual style and well-matched leads.

It's far from a poorly-constructed movie, but the tonal issues and refusal to invest in its strongest personalities make it a frustrating watch.

Though the sparks could be brighter for its central couple, What's Love Got to Do with It? still has plenty of charm.

Together finds moments of real emotion between its main prickly pair, but it still makes one wish there weren't movies about COVID already.

Her first outing is largely a rush of violent, thrilling action, entertainingly served up for the big screen, but it isn't without its problems. I just hope that if this killer gets to dance again, she's better served by a more streamlined narrative.

Marshall has captured enough of the magic from the original to entertain longtime fans. Bailey's Ariel is one for the ages, and McCarthy is fantastic as Ursula. With these two ladies on board, The Little Mermaid is a genuine delight.

With such incredible performers as Colman and Cumberbatch at the center of it all, though, it's easy to have a blast. You'll want them to break up just as much as you want them to make up, and that is the most impressive thing of all.

Between the humor and Quaid's performance, there's so much fun to be had here that it's easy to just sit back and enjoy the ride.

Rather than being a well-rounded look at Martin's life, Christy offers a shallow, unbalanced perspective. It's light on its feet in some parts and heavy-handed in others, and though Sweeney gives a strong performance, I can't help but feel like she deserved a better showcase for her talents.

Indiana Jones and the Dial of Destiny doesn't quite match the highs that came before it, but with Ford's assured performance at its center, it's still an entertaining and nostalgic ride.

The Last Letter From Your Lover is a charming look at two love stories, and while it's hardly anything new, the film holds plenty of warmth.

Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.

Somebody I Used to Know is a refreshing take on routine rom-com tropes that, while suffering from a slow start, makes for a rewarding journey.

Assisted by franchise veteran Lebo M., Miranda brings his addictive melodies and spry lyricism to the movie and creates a soundtrack that can hold its own against the original.

While Minions: The Rise of Gru still can't entirely justify itself, it does provide a far more heartfelt and fun outing than its predecessor.

Enhanced by an all-in performance from Watts and impressive behind-the-camera work, Infinite Storm is a ride that's both engrossing and emotional.

This is a franchise that has treated its supporters with respect while opening its arms to newcomers. Because of that, the weaker elements of the film feel unimportant in the wake of a genuinely entertaining time that will no doubt thrill audiences of all ages.

It doesn't reinvent the rom-com wheel, but it makes for easy, pleasurable viewing.

The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.

Ultimately, it is a gorgeous film that's empty inside despite all of its interesting ideas and good intentions.

Though following a familiar formula that's running the risk of wearing thin, Kung Fu Panda 4 still finds heart in the reliable Dreamworks franchise.

The Critic was far less fun than I had hoped it would be.

With top-notch performances and production design, The Ballad of Songbirds and Snakes is a worthy addition to the Hunger Games franchise.

Ultimately, Railway Children struggles a bit in balancing its tone and grand ambitions. However, for those looking for a sweet story about the power of friendship and childlike willfulness, this movie just might win them over.

This movie won't be for everyone, but Dafoe enthusiasts will have to check out his go-for-broke depiction of a man at his wits' end. It keeps the movie exciting even when the pacing falters.

This is the kind of movie I'd like to see more of, the kind that wears its heart on its sleeve and takes us on a ride. A meandering ride, sure, but even a long trip can have its perks.

The biggest selling point is Squibb. With a mischievous twinkle in her eye, she shoots off wisecracks and plenty of grandmotherly affection, and you almost wish you could be friends with Eleanor too.

Aided by solid performances, National Champions has a great story, but ultimately its individual parts aren't enough to score the winning touchdown.

The movie's brisk pace keeps the cracks between the various plot threads from showing initially, but upon further inspection, it's clear Despicable Me 4 has so much on its mind, it's forgotten some of what makes the franchise so delightful.

Marmalade is one wild ride, as long as you're willing to stick with it.

Witherspoon and Ferrell play off each other fairly well, but I'm not convinced they have the chemistry necessary to pull off some later developments that I won't spoil here (but honestly, it's easy to guess what it is fairly early on). Throw in some big cameos that really don't go anywhere — the trailer already revealed Peyton Manning, who does nothing — and you get a fit-to-bursting comedy that's only intermittently successful.

Though Meester puts on a solid performance atop an intriguing plot, The Weekend Away doesn't supply enough thrills to make it an entertaining watch.

At Midnight has a certain Old Hollywood flair that gives it a unique edge, but its surface-level approach makes the romance more frothy than impactful.

Disney's Snow White is hardly a misfire, with Rachel Zegler shining as the titular princess, but it can't avoid familiar live-action remake problems.

Led by the delightful pairing of Emily Blunt and Dwayne Johnson, Jungle Cruise knows how to enjoy itself, even if the journey is a bit overstuffed.

Ruby Gillman, Teenage Kraken's story could've used a more well-rounded approach, but the strength of its cast and character dynamics make for a solidly entertaining watch.

Ultimately, The Laureate pushes past the tone and format of a typical biopic to make something fresh, though it holds weak spots in an otherwise compelling story.