Rachel LaBonte

The animators bring this world to life with expert skill.

The Quiet Girl is an earnest depiction of family and unexpected connections that lingers long after the credits roll.

Pixar's latest big screen adventure, Elio, is a big-hearted tale about friendship, family, and connection, and it will both delight and wreck you.

It's an absurd and stunning story, but it also holds such heart and authenticity that it feels deeply relatable.

It's a testament to the care that went into this movie, the hard work of the cast and crew, and the power of the story itself that I left the theater both moved and inspired. This is a movie that will likely stick with me for some time, and I'm glad; I think it's not one that should be forgotten.

With top-notch performances and production design, The Ballad of Songbirds and Snakes is a worthy addition to the Hunger Games franchise.

Save for the tiniest of things, Wicked is a worthy screen adaptation of the musical, guaranteed to make viewers feel like they could defy gravity too.

By not giving into what might be expected from a typical immigrant story, Chung has given the material space to breathe on its own, creating a space that can be appreciated by all kinds of people. The cast shines, the story hits home, and Minari stands as a winner.

Nomadland might tell an unconventional story, but thanks to Zhao's careful hand and McDormand's performance, it will resonate with all audiences.

Sorry, Baby is the kind of movie that will linger and stick with you. It is far more than a story about trauma; it's also about friendship and growing up, concepts that will feel deeply relatable to anyone.

The Harder They Fall is a crowd-pleasing and worthy addition to the Western canon that knows how to have a good time with a familiar story.

The whole Armand cast is stellar, perfectly conveying the characters' shifting allegiances and uncertain moral stances.

Twisters is the kind of blockbuster the summer movie season was made for, and it proves sequels don't need to be beholden to what came before.

Poetic License has a classic sort of feel that makes it a very enjoyable watch. It keeps a good pace, mixes the heart with the hilarious, and spotlights an incredible collection of performers.

Bolstered by a star-making performance from Simu Liu, Shang-Chi and the Legend of the Ten Rings gets the MCU's newest hero off to a promising start.

Grief and trauma don't provide easy answers and The Fallout doesn't either. But it does take viewers on a poignant journey right alongside its heroine. It can be heavy, but it can also hold moments of humor and joy.

This movie is as close to a perfect ending as the franchise could get.

First and foremost, this remains a film for the fans. As such, Downton Abbey: A New Era is a triumph. After several tumultuous years, returning to a well-known universe with beloved characters is a balm and anyone who has followed along with the Crawleys will find plenty of enjoyment within the film.

The jokes fly and mostly land, though that's largely thanks to the skill of the cast.

With such incredible performers as Colman and Cumberbatch at the center of it all, though, it's easy to have a blast. You'll want them to break up just as much as you want them to make up, and that is the most impressive thing of all.

It's a fascinating and sympathetic look at the anxiety that can arise and the ways OCD can affect a person's relationships with those they love most.

Even with its flaws, it’s largely an entertaining film with plenty of humor and a story that truly must be seen to be believed.

Though messy at times, Black Panther: Wakanda Forever is an impactful examination of grief aided by excellent character work and exhilarating action.

Led by two powerhouse performances, Ma Rainey's Black Bottom soars when it lets its stars shine, hitting the audience with a gut punch of emotions.

Anchored by excellent lead performances from Ed Helms and Patti Harrison, Together Together is a charming crowd-pleaser with a lot of heart.

Led by a stunning Emma Mackey, Emily is a striking depiction of a woman embracing her individuality while crafting an iconic piece of literature.

Scrap is ultimately an unflinching and sensitive portrait of a woman faced with the terrifying uncertainty of rebuilding her life. Though some of the harsher realities of being homeless aren't explored in much depth, and the ending is a touch too neat, Kerr crafts a compelling journey for us to go on, one that should linger after it's over.

This is the kind of movie I'd like to see more of, the kind that wears its heart on its sleeve and takes us on a ride. A meandering ride, sure, but even a long trip can have its perks.

Between the humor and Quaid's performance, there's so much fun to be had here that it's easy to just sit back and enjoy the ride.

This is a franchise that has treated its supporters with respect while opening its arms to newcomers. Because of that, the weaker elements of the film feel unimportant in the wake of a genuinely entertaining time that will no doubt thrill audiences of all ages.

Quietly immersive and poignant, Supernova excels as a showcase for leads Tucci and Firth, even when the story can't quite match them.

It's an interesting idea, trying to base a story around the idea of wishing on a star, a concept that has been Disney's foundation for decades, but Wish struggles due to a weaker script. But I can't lie: I was charmed by Asha's story and the vibrant world she lives in, and that can make up for any flaws in the execution.

Those willing to embark on Fremont's modest, gently heartbreaking journey will find themselves rewarded by what it has to offer.

Despite the clunkier elements, though, IF pushes through with its warmth and optimistic tone, paving the way for some truly effective moments.

The Christophers trusts its two leads and their characters to guide the audience to its desired conclusion, and watching it unfurl is a rewarding experience.

Led by the delightful pairing of Emily Blunt and Dwayne Johnson, Jungle Cruise knows how to enjoy itself, even if the journey is a bit overstuffed.

What Happens Later isn't without some hiccups in its execution, but with Ryan at the helm, it's impossible not to feel charmed.

Alice, Darling is a respectful and piercing character study that also serves as an excellent showcase for Kendrick's talents.

I would love to spend more time with this ensemble. While the story deviations can prove a bit frustrating, the movie is its own thing, and I suspect it'll be a crowd-pleaser.

Though it can't quite break out of the Disney mold, Encanto is greatly aided by a unique story, a delightful cast of characters, and a vital message.

Ansari has brought his familiar comedic charm to a solid, original story, and the end result is an all-around good time.

It's the kind of eccentric true story that seems tailor-made for a movie, and McAvoy brings it to life with plenty of high-spirited energy.

Though following a familiar formula that's running the risk of wearing thin, Kung Fu Panda 4 still finds heart in the reliable Dreamworks franchise.

Enhanced by an all-in performance from Watts and impressive behind-the-camera work, Infinite Storm is a ride that's both engrossing and emotional.

Led by a great Lesley Manville, Mrs. Harris Goes to Paris is a delightfully wholesome film and the very definition of a "feel good" story.

Assisted by franchise veteran Lebo M., Miranda brings his addictive melodies and spry lyricism to the movie and creates a soundtrack that can hold its own against the original.

Luckily, Johnson and Penn's compelling dynamic keeps us hanging on, right up until the moment they part. That final beat could've been shorter to make more of an impact, but that doesn't lessen the satisfaction of the journey overall.

Froseth and Silvers keep both of their complicated characters and the bond that lies between them grounded, mixing well with the sensual tone Smith has created. Those looking for a sexy, intriguing drama might be happy to call up Birds of Paradise for some nighttime viewing.

Gordon and Lerman are both in great form, going a long way in carrying the somewhat problematic premise.

Somebody I Used to Know is a refreshing take on routine rom-com tropes that, while suffering from a slow start, makes for a rewarding journey.

Marmalade is one wild ride, as long as you're willing to stick with it.

As a character study, Blue Moon is imperfect, but its smart framing of a pivotal moment in Hart's life elevates it.

Marshall has captured enough of the magic from the original to entertain longtime fans. Bailey's Ariel is one for the ages, and McCarthy is fantastic as Ursula. With these two ladies on board, The Little Mermaid is a genuine delight.

She Rides Shotgun packs a punch — or, to use one of Nate's lessons for Polly, hits you like a baseball bat to the back of the head. The subplot with the local gang may be forgettable, but the father-daughter relationship will stick with you for a long time.

Indiana Jones and the Dial of Destiny doesn't quite match the highs that came before it, but with Ford's assured performance at its center, it's still an entertaining and nostalgic ride.

This movie won't be for everyone, but Dafoe enthusiasts will have to check out his go-for-broke depiction of a man at his wits' end. It keeps the movie exciting even when the pacing falters.

With Stiller at the center, Nutcrackers is a solid, if not incredibly memorable, holiday effort.

Her first outing is largely a rush of violent, thrilling action, entertainingly served up for the big screen, but it isn't without its problems. I just hope that if this killer gets to dance again, she's better served by a more streamlined narrative.

The biggest selling point is Squibb. With a mischievous twinkle in her eye, she shoots off wisecracks and plenty of grandmotherly affection, and you almost wish you could be friends with Eleanor too.

The Last Letter From Your Lover is a charming look at two love stories, and while it's hardly anything new, the film holds plenty of warmth.

Those who prefer their period pieces to be more traditional will find this blasphemous, but those willing to imagine a 16th century Verona with updated characters will get a kick out of Rosaline's antics.

Though the sparks could be brighter for its central couple, What's Love Got to Do with It? still has plenty of charm.

Here Today finds warmth in leads Crystal and Tiffany Haddish, which then allows it to push past some tricky tonal and pacing problems.

Marry Me could've gone deeper with some aspects and laid off the musical numbers a little bit, but it will still be the perfect movie for anyone looking for some romance this Valentine's Day.

Underneath its weaker spots, Turtles All the Way Down is bolstered by genuine heart and an excellent central performance from Isabela Merced (Madame Web, Instant Family).

Director David Lowery (Pete's Dragon) brings a more mature sensibility to the tale of a boy who never wants to grow up, and it ultimately yields some mixed results. While Peter Pan & Wendy is strangely lacking some magic, it is saved by a scene-stealing Jude Law and a narrative that forces one to reckon with Peter's more negative traits.

Though it lacks the same zippy energy as the first film, Sonic the Hedgehog 2 is bolstered by fun new characters and a perfectly wacky Jim Carrey.

Tankhouse might not be for everyone with its outlandish humor, but if viewers are willing to invest in the absurdity, then it's worth watching. Tomaschoff has clearly created this movie out of respect for anyone who has loved spending time in the theater, and with a game cast ready to shoulder the material, it becomes something very sweet underneath all the quirk.

While some aspects might feel slight, Tahara is an engrossing coming-of-age tale bolstered by its distinctive visual style and well-matched leads.

Driver's Ed hardly reinvents the wheel when it comes to the YA world, and it's far from perfect. Still, with its string of solid laughs and a very game cast, it makes for an entertaining adventure that goes down easy.

In some ways, The Exorcist: Believer feels tame when it comes to the full potential of its premise.

Anchored by two great lead performances, Raymond & Ray is at its best when exploring the odd relationships between its complicated characters.

While it might've been nice for Mafia Mamma to reveal more details about Kristin's ascension as a mob boss, its humor and Collette's performance make it a solid ride anyway.

Ultimately, The Laureate pushes past the tone and format of a typical biopic to make something fresh, though it holds weak spots in an otherwise compelling story.

The Life List doesn't offer too many surprises or dwell in any unpleasantness for too long, making for a simple and relaxing viewing experience that hits right in the heart.

Those willing to go along with Billy's patchy journey just might find themselves entertained by what this DC sequel has to offer.

Mixtape feels familiar and new all at once thanks to its earnest story and central messages of family and grief that will touch viewers of all ages.

This is a sequel that doesn’t quite surpass its original, but is still a worthy follow-up all on its own. Anyone who enjoyed the original Enchanted should find plenty to love here.

For all its more serious moments, The Good House actually feels a lot like comfort food. It could be due to the vivid community the filmmakers have built, or because of Weaver's multifaceted performance. It also could be because, at its core, The Good House is about inner growth and the value in appreciating loved ones.

As a celebration of love and music, Sylvie's Love is a comforting and sweet movie that, while not breaking ground, is noteworthy in its earnestness.

The Valet is a charming twist on a classic trope led by two delightful leads, even if it sometimes struggles under the weight of all it has taken on.

The movie's brisk pace keeps the cracks between the various plot threads from showing initially, but upon further inspection, it's clear Despicable Me 4 has so much on its mind, it's forgotten some of what makes the franchise so delightful.

It doesn't reinvent the rom-com wheel, but it makes for easy, pleasurable viewing.

It proves to be a fulfilling and heartwarming journey.

Though The Alternate could've been better served by a deeper exploration of its themes and characters, it offers a unique take on a familiar idea.

The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.

Aided by an excellent young cast, Secret Headquarters is a fun adventure for all ages, even if certain elements feel superficial in the end.

All told, Thirteen Lives is a solid and compelling watch that stands as a testament to people's resilient spirits.

While Minions: The Rise of Gru still can't entirely justify itself, it does provide a far more heartfelt and fun outing than its predecessor.

It's far from a poorly-constructed movie, but the tonal issues and refusal to invest in its strongest personalities make it a frustrating watch.

Seven Veils still falls prey to its own expansive focus, making it a compelling yet unsatisfying drama.

The Strangers: Chapter 1 ends with a cliffhanger that paves the way for Chapter 2 , and that, I feel, is where this new trilogy will really get the chance to take off.

Bolstered by the sweet chemistry of its attractive leads, All My Life doesn't listen to its central message: Make the most of the time you have.

It has plenty of logic gaps, over-the-top action, and is generally a lot of fun. Red Notice doesn't quite coalesce into something that could become a timeless classic of its own, but it provides plenty of entertainment.

Aided by solid performances, National Champions has a great story, but ultimately its individual parts aren't enough to score the winning touchdown.

Ghostbusters: Frozen Empire has a lot of potential and a chilling new villain, but too many characters and a slower plot leads to dimmed thrills.

One True Loves may not be Reid's most popular novel, but its adaptation is nevertheless handled with genuine care. The soapy premise won't be for everyone, and its heavy-handed approach can alienate. Still, those willing to join Emma on this (mostly) complicated journey may very well find themselves charmed by the end.

Lohan's latest Netflix movie is an inoffensive rom-com with ample amounts of cheesiness and heart.